Song Quotes
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I Ran, So Far Away. I just tell them that I hated that song on that day. But I love the old songs.
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If there were a song from 'West Side Story' that I would do, it would be 'Something's Coming,' but in a sense that put it in the right key for me and then do that one.
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I just like a good, sad song. The sadder, the better. It moves me.
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I always like Madonna; any Madonna song is good for me. Old school Janet Jackson is always good. I usually go old school. It's very rare that I pick a song from nowadays.
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My theme song is always: 'Pay attention to your viewer. Follow them.'
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Everyone who knows me knows that I'm a hopeless romantic who listens to love ballads and doo-wop songs all the time.
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If I write the song, I get to name it.
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I really didn't think about song writing.
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I will play around with an idea for a very long time until it's found it's feet and it's good enough to become a song.
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River gonna take me, Sing me sweet and sleepy, Sing me sweet and sleepy all the way back home, It's a far gone lullaby sung many years ago Mama, Mama, many worlds I've come since I first left home
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I have complete creative freedom. If I want to put a song on the album, there's no one stopping me.
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They say it can all change with one song, and in my case, that rings very true, I was shocked that it happened this quickly.
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Even when I'm in quite a happy state of mind, I like writing really sad songs. I think a lot of people do.
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I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?
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When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
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I enjoy going on stage knowing that there's going to be that vulnerability and that transparency and hopefully things will be realized or accomplished or that confidence will be revealed. I think that's another element that people like about shows: in addition to hearing the songs that they love, I think there are some people who really get off on connecting with what's happening right now.
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'All Over Me' is a song that I really got fired up the first time I heard it: it just really moved and it really had a lot of energy.
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I've always been trying to write songs like Lightfoot. A song of mine like 'Come Monday' is a direct result of me trying to write a Gordon Lightfoot song.
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At the time I just was like, I can't believe I am on the show, and the first thing I have to do is an entire song and dance routine for the whole cast of 'Mad Men.'
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I don't think I've ever actually written from inspiration, actually had a song just go, 'Bing!' I only recall that happening to me twice - once was with 'Terrapin' and the other was 'Wharf Rat.' I mean, that's twice in a lifetime of writing!
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If you can take a piece of life and put it in a song, it's going to be a good song - especially if it's from the heart.
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I decided to make a CD that I would enjoy listening to. So I would finish a song and sit there, and I would say, 'What song, of all the songs I know, would I like to work on now? What song would make me happy?' And that's how I picked the songs.
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Quite often when I record a song, writing it and making a demo is the big thing and, after that, I think, how do I actually translate this into real life? A lot of the time I think I can't be bothered.
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I write when I have to; I write when the song is done and I deal with the idea and I just go with it and I'll become what that song is all about until I have finished it. And when you do that, it makes the song more visual, it makes it more personal.