Brinsley Schwarz Quotes
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I'm very interested in religion and different religions, and I know quite a lot about it. I love gospel music, and I love going to churches, but the one drawback is that I don't actually believe in God. And it is quite a handicap, you know.
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I use the name and the thought very, very easily as a sort of comfort - as a kind of comfort, in some way. And in that way, it's just like having a friend, I suppose.
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I've always felt quite like an outsider. I don't really belong in the mainstream, and I quite like that.
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You've got to really know your song, inside and out.
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I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
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You want to sing this song. And so it goes on until eventually, after - well, however long it can take - sometimes a few days, sometimes months - you piece the whole thing together.
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It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
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And after, you know, having the old chicken or whatever it is they bring around and a couple of cocktails, you turn to the person sitting next to you and say, you know, you going home, then?
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I'm still kind of a hapless character in my everyday life. But when it comes to the writing, my influences are very old influences. I love American music of absolutely all stripes, including show tunes, advertising jingles, theme tunes from quiz shows, all kinds of American music.
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I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.
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If anyone comes along, I'm more than happy to welcome them, but I'm not interested in world domination.
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To a certain extent, yes, we do. But there's - but there's a very limited menu. There's only about sort of 20 songs that you hear on rotation.
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It was the 1950s, you know, and they had a ray gun, which was basically a flashlight with a sort of trigger on it. And it buzzed and a red light, you know, came on. But anyway we all had one - Davy Crockett hat.
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Elvis Costello had a brand new bag. He was a musician, but he knew all about the attitude part of it.
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I work very hard on getting the songs as direct and examined as I can before I go in the studio.
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Be a military flier or be in a band; those were the two hippest things I could imagine.
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These days, rock 'n' roll is much more about rock than about roll. I don't do rock. But I'm interested in that roll part, because that's the funny little bit that makes it hip.
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I'm an extremely slow worker, very unprolific. It can take me weeks to do a three-minute song, or at least to make it sound, in my mind, like I haven't written it. That's when I'm satisfied.
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When my pop career was over, I was scratching my head, thinking, "God, how am I going to do something after I'm forty?" I was in my mid-thirties, thinking I was on the scrap heap.
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My latest theory is that it's - well, I describe it as, like, being in an apartment with kind of thin walls. And in the apartment next door, they've got a radio tuned constantly on - tuned to a really cool radio station. It's on all the time. And you can just hear it coming through the wall all the time.
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Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.
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You know, where have you - what have you been doing? You know, and you find yourself sitting next to Jesus, and he's rather an agreeable man. And you have an opportunity to say, so what went down then, you know, that night? And it's supposed to be like him just sort of telling you very conversationally. That was the idea I had. Whether it - whether it comes - came off or not, I don't know.
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But anyway, I was convinced that it would go away, you know. But the idea was that he was sitting on a flight - you know, one of those sort of fairly long flights, like, sort of, you know, Newark to Denver or something like that - so, you know, a few hours.
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The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.