Nick Lowe (Nicholas Drain Lowe) Quotes
I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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People must be protected from prejudice against their person. But people cannot be protected from prejudice against their ideas - because otherwise we're all done.
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I haven't found it to be particularly enjoyable... ninety percent of the time when I go on dates, I'm thinking, 'I could be reading my book instead.'
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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'Paper Planes' was an accident. It wasn't a song we made for the masses. It took two years to get popular, and there were many fights about censoring the gunshot sounds.
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Reducing the price of AIDS drugs gave me so much satisfaction that I've been thinking what else I could do. One day, I thought, 'Let's look at cancer and see how we can spare cancer patients' unnecessary suffering.'
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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I am shocked that Republicans can't explain why our technological and economic advantages are the result of sound monetary and economic policy.
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She was obsessed with French and Swedish cinema. I also remember our mother showing us 'Gone With the Wind' very early on. She absolutely loved Vivien Leigh, so it must have been a formative experience for me, thinking, 'Oh, maybe one day I'll be like Vivien Leigh.'
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I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
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If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
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I have a hard time watching films and not thinking how I would play any part, whether it's a man or a woman.
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I do hope to be an adult actor. But if it doesn't work out, I've been thinking about doing something in the medical therapy field, chiropractics or something like that. I've always been into the idea of helping people medically, but I can't stand blood or surgery. That freaks me out. So this would be a bloodless way to help people.
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When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub.
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Whenever I go on a ride, I'm always thinking of what's wrong with the thing and how it can be improved.
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If I had my choice, I'd pick a song that tells a story every time. There is a great deal of pleasure in doing the vocal on a number that you can put feeling into.
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Most managers are just trying to survive. That's why a lot of smarter guys have been let go from Fortune 500 companies: because they came up with new ideas that no one would allow them to try.
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If you start trying to communicate ideas, I think you don't allow the audience to see themselves.
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People can also change the timing of when they earn and receive their income in response to government policies.
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It is comparatively easy to leave a mistress, but very hard to be left by one.
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These terrible sociologists, who are the astrologers and alchemists of our twentieth century.
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I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.
