Real Quotes
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Many of the characters who appear in the pages of the Fourth Gospel are literary creations of its author and were never intended to be understood as real people, who actually lived in history.
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Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven.
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I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.
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It felt terrible but I was glad I played all the way through so I didn't have to sit down and have it stiffen up. It stiffened up real bad at halftime but I managed to get through it.
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I’ve always liked working on stories that combine people who are relatable with something insane. … The most exciting thing for me is crossing that bridge between something we know is real and something that is extraordinary. The thing for me has always been how you cross that bridge.
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Leading is not hypothetical debating; it's about solving real problems.
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A noble birth and fortune, though they make not a bad man good, yet they are a real advantage to a worthy one and place his virtues in a fairer light.
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I know this is silly, it's shallow, it's bad, I wish I wasn't this way-but if I meet a girl with no teeth, I just don't want to date her. It's creepy of me, I wish I was a bigger person, but that's my real turn-off.
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What I've enjoyed most, though, is meeting people who have a real interest in food and sharing ideas with them. Good food is a global thing and I find that there is always something new and amazing to learn - I love it!
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Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately, you are always bad before you can get a little better.
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The real giants have always been poets, men who jumped from facts into the realm of imagination and ideas.
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I got different moods. Like, if I'm in a good mood, I listen to 'Up' by Thug. If I'm not in a good mood, I'll listen to 'King TROUP' - that's a real emotional one.
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We just got whipped from the beginning of the game to the end. They were making shots, they executed well both offensively and defensively. They just played real well tonight.
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It's fun to pretend you're good at something you know you wouldn't be good at in real life.
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I want to express myself to feel that what I feel is real. My joy, my pain, my anger.
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When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.
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I love when I get to play these characters that are bigger than life. There are roles in animation that I never get to do in real life - and it appeals to my ego as an actor to play the Queen of Everything. I admit it.
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I'll tell you what the real problem is: These people are working under the assumption that they know better about what is good for kids, what kids need to learn to get ahead in this world.
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Making ski racing fun and engaging for kids and families is an exciting opportunity and a real passion of mine.
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Every time I try to disown that concept for myself, which is a really healthy perspective, they bring it back all the time. It's so serious and so real and so tangible that you don't want to taint it with anything other than the thing itself. I was tickled pink with my very zen self, walking around saying that I made a record because I wanted to make a record. That's so beautiful. It's like a haiku poem. That takes away all the tension and the expectation. I just want to try to do something interesting.
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I call this The Dictator Syndrome. You see suffering or danger, and in your imagination you see a government program eliminating it. But in the real world the program would operate as you expect only if you were an absolute dictator-having at your disposal all the government's power to compel everyone to do things your way.
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One day I can be ecstatically up, and the next, I can feel this real blankness, a deadness almost, which is scary.
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The sorcerer is a Simple Realist: the world is real--but then so must consciousness be real since its effects are so tangible.
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But people only die in proper duels, you know, with real wizards. The most you and Malfoy’ll be able to do is send sparks at each other. Neither of you knows enough magic to do any real damage. I bet he expected you to refuse, anyway.” “And what if I wave my wand and nothing happens?” “Throw it away and punch him on the nose,” Ron suggested.
