Real Quotes
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Everyone is born a poet - a person discovering the way words sound and work, caring and delighting in words. I just kept on doing what everyone starts out doing. The real question is: Why did other people stop?
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People in the U.S. always got to be spoon-fed. If it's something to difficult to understand, they don't give it a chance. They want something real simple that they can sing along with and play in the clubs and that's about it. In the UK, their whole mind set is completely different.
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Of course, the camera is a far more objective and trustworthy witness than a human being. We know that a Brueghel or Goya or James Ensor can have visions or hallucinations, but it is generally admitted that a camera can photograph only what is actually there, standing in the real world before its lens.
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I never taught a blind/deaf chick to read, but somehow I've managed to turn Scrubs into a watchable show. That may not sound like much, but take a look at my surrounding cast and ask yourself, who's the real miracle worker?
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Eight gold medals? If I wanted I could make a movie about me winning nine gold medals. Now that's real power.
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Being able to do research in a real-time way is the way research needs to be done in the future.
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Real things in the darkness seem no realer than dreams.
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I came in with my idea of what a cowboy would wear, but then I met some real cowboys and they said that I rode the horses well, shoed the horses, but no good cowboy would be wearing a pair of Levi's. I had to get a good old pair of Wranglers.
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I've been watching a lot of cable shows like 'The Wire' and 'Breaking Bad' and 'Downton Abbey.' I love how real the moments are.
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For me, your real age is not the age on your ID. That's just a date when you were born.
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It is still beautiful to hear the heart beat but often the shadow seems more real than the body.
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Look at me... look at me... I need the attention, oooh I'm punk rock I got some tattoos, I got some piercings. If I'm gonna get some piercings then I want everyone to see it...I don't need to advertise my punkness. A real punk doesn't need to show off...Its like a Karate man... the Karate man bleed on the inside. A real punk is punk on the inside.
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I do my independent stuff where it's real acting if you like. Intense, drama stuff. I love me actions.
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Men who have a lot of charm have it in place of something real that you are eventually going to want from them and find that they do not have.
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I have a real challenge of finding dog-walking shoes.
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I can't fool myself into thinking that musically I don't need other people, whether it's as a foil or just to come in and make real the ideas that are kind of vague and wispy in my head.
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I have my own difficulty with movies in which the suffering of the characters is too real, and many find it difficult to watch comedies that rely too heavily on embarrassment; the vicarious reaction to this is too unpleasant.
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There's still a lot of misogynist pop music out there, and I think that hearing something that's so explicitly feminist and so angry - when we're still growing up in a culture where girls and women are not supposed to be angry - is a real revelation for young women.
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The fact that cartoons are reproduced doesn't mean anything to me as far as whether they are "real art" or not.
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What happens to a lot of artists in the music industry right now is the following: The music industry is plummeting real fast. So as the industry plummets, what happens is that there is no deals being made.
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I felt a little anxious/nervous representing a real person in a Spike Lee film.
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I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.
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The incomparable James Walvin has done it again: he has crafted a beautifully written and deeply informed single volume history of the Atlantic slave trade and its consequences on three continents. This book is full of fresh ideas and astounding detail; it is at once great storytelling, punctuated with real people and voices, and an unblinking analysis of numerous great questions and paradoxes about the power of slavery in creating the Atlantic world over four centuries.
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You must always know the past, for there is no real Was, there is only Is.