Real Quotes
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My bedtime was 8 P.M. But on 'Cosby' nights, I got to stay up until 8:30. Real big deal. This is when they could afford to do a completely different title sequence in TV every year. I always looked forward to that. It was like a mini musical at the top of the show. My favorite was the Top Hat fancy version.
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My brother and I had a real love-hate relationship with my success. There was some bitterness there that I didn't understand until recently, but I told him that if I ever did a record I wanted him to play on it.
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I'm still awaiting the idea of drawing comics for a living being a reality. I feel like I've been dodging work for 20 years, and at some point, I'll have to get a real job.
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When you send out real love, real love will return to you.
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Answers are not obtained by putting the wrong question and thereby begging the real one.
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It is not fun singing about losing somebody like that, but at the same time it was easy to write because the memories were so real and vivid and so much a part of who I am.
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He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later.
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My initial plan was to spend a year in France, go to some kind of school and learn a bit of French. I went a year in an American college in the outskirts of Strasbourg, but got a glimpse of a real art school, L'Ecole des Arts Decoratifs, and enrolled the following year.
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If you're really being honest with yourself when you're acting, part of it is touching the real you. You can only separate yourself so much from the character. Those vulnerable moments do touch me.
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I have a bold plan to break from the Bloomberg years, and end the 'Tale of Two Cities' by providing real opportunity to all New Yorkers, no matter where they live.
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I call it the 'House of Reprehensibles.' We don't have any real political resistance to this growth of the domestic state across the board. So I'm much more focused on that than on the Patriot Act, which is a real effort, however inept, to deal with a real problem.
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I think it's so important that, if I'm writing about the real world, I stay true to it. I think that kids do compartmentalize, and they're hopefully able to see it from a safe place of their own lives and, through that, learn something about empathy.
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I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.
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I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.
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New Yorkers are predatory about real estate. When they sense softening, they move in for the kill.
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I love musicals, but I find it's just so deadening. You know, 30 takes, you do a little piece here and a little piece there. There's hours and hours of waiting. And to me, that's as far away from real performance as you can get.
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The only way to make real wealth is to get rid of your salary. In a salary, by definition, you are creating wealth for others, and you are creating a chain and handcuffs for yourself.
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The idea that an actress - mostly lauded for her performances in more than a dozen films - somehow represents a threat to Iran's national security is laughable at best. But in Ahangarani's case, far from anything humorous, the allegations have actually resulted in the sober prospect of real prison time.
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Architecture can't fully represent the chaos and turmoil that are part of the human personality, but you need to put some of that turmoil into the architecture, or it isn't real.
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Eddy Arnold was a great friend of mine, and through the years, Eddy and I, we did a lot of shows together, and we even worked in some real estate transaction things together, and he helped me there. You know, he was a great real estate man.
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
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A visual understanding of great composition and how to use a camera and expensive lenses can be learned, but drive and a real hunger for making photos and telling stories... I don't think that part can be learned. You either have that inside, or you don't.
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Our real focus is going to be what can we do with our existing capacities, what new things can we do, and how much more demand can we fulfil with our existing capacities.
