Real Quotes
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That's what I love about baseball, that it gives the opportunity for every single guy to develop and play the game. There's not a rule that you have to be 6 foot or you have to be real strong to play baseball or to become a good player.
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Every video I'm in, every magazine cover, they stretch you; they make you perfect. It's not real life.
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What I learned is that acting is to a large extent about trying to stave off self-doubt long enough to be natural and real onstage.
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Going to college made me realize you have to have real spaces of privacy, and you have to establish those early.
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I'm not clever enough to be in machinations and real politics.
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If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
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It always seemed much better to be a writer - a Real Writer - than a successful hack.
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It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.
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With mania, is it dangerous to ride that euphoric feeling. You feel very animated and creative; I would fill journals with drawings. It feels good and you want it to last, but it can lead to being delusional. The delusions can be as real as you thinking you can fly.
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It's sad that children don't spend enough time looking around and being amazed by what's in the real world.
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'Bellyache' is totally fictional. I like writing about things that aren't real. The song is about not trusting anyone and then putting trust in yourself and realizing that you don't know what you are doing, either. Or realizing that things you do with a group of people that you think are cool in the moment are ultimately all on you.
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Growing up, I really liked 'Star Wars.' Han Solo would've been really cool to meet. But my stuff was real low-brow. I was watching 'Bugs Bunny.'
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
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Creativity only resonates if you infuse real life into the work.
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We're not that much smarter than we used to be, even though we have much more information - and that means the real skill now is learning how to pick out the useful information from all this noise.
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I find it some of the hardest photography and the most challenging photography I've ever done. It's a real challenge to work with the natural features and the natural light.
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I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
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Kissing in the movies is a real art - figuring out where to put your heads so it looks good on camera. I have had other co-stars who couldn't work that out, which made it a lot harder for me.
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Mars could very well be a staging location for the resources of the asteroid belt. We have to learn how to get a payback somewhere, but it's beyond Mars that the real payoff will come from minerals.
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What we want, above all things on earth in our public men, is independence. It is one great defect in the character of the public men of America that there is that real want of independence; and, in this respect, a most marked contrast exists between public men in this country and in Great Britain.
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My dad is Scottish, and he read in the newspaper about the plight of the Scottish Freshwater Mussel, which is a real thing - like, a very real, serious conservation issue. And he's a writer, and he was going to do a film about a Glaswegian gangster, and then I stole the idea and turned it into a romantic comedy.
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Raven-haired writer Emer Martin is giving a lunchtime reading from her fabulous new novel, Baby Zero. Emer Martin is a brilliant writer, very much the real deal. She tells me that every single Irish review of her new book has made passing reference to Cecelia Ahern. Weird, given that Emer is to chick-lit what Shane MacGowan is to sobriety.
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The American Federation of Teachers has a long track record of working with administrators, parents, and communities to provide real help to struggling students and low-performing schools. We've learned that intensive interventions, proven programs, and adequate resources can transform students' lives and their schools.
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Until I'm on the set of a film, to me it's still not for real.
