Fear Quotes
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I've done plenty of daredeviling - from white-water rafting to bungee jumping. But I think the most fearless was hosting the Emmy Awards. It was overwhelming, and I definitely had to leave fear at the door.
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Perhaps it should be obvious: Adultery is a social threat that arouses raw anger and fear, which the bellicose then need to discharge rather than merely feel, traditionally on the philandering wife or the female home-wrecker.
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Growth should take care of the fear of job losses. People will be challenged to do different things. For people who are not up to it, purely based on objective assessment, that's a different issue, which, you do it anyway.
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My fear is that we are losing sight of how much we depend on the EPA to protect not just our environment but the people who live in it.
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Love is the emblem of eternity: it confounds all notion of time: effaces all memory of a beginning, all fear of an end.
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It's fear of being afraid that frightens me more than anything else.
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Fear is the passion of slaves.
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People are so used to having their lives filmed, they're not even conscious of having cameras around. I still have that sort of suspicion when a camera comes out. I view it as a thing to fear.
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I am going to fight - I, a socialist and Syndicalist - so that we shall make an end to war, so that the little ones of France will sleep in peace, and the women go without fear.
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I have become an adjective. There is something called a Rovian-style of campaigning and it's meant as an insult. One columnist said it consists mainly of throwing mud until it sticks. One prominent blogger described the elements of a textbook Rovian race as fear-based, smear-based and anything goes.
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Courage is a special kind of knowledge: the knowledge of how to fear what ought to be feared and how not to fear what ought not to be feared.
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The fear of infinity is a form of myopia that destroys the possibility of seeing the actual infinite, even though it in its highest form has created and sustains us, and in its secondary transfinite forms occurs all around us and even inhabits our minds.
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I was a bit scared because I came from the acting world. There was a fear that people would think of me kind of as a joke. But really, people think of me as a country artist who can act. That's my favorite compliment.
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They were afraid, never having learned what I taught myself: Defeat the fear of death and welcome the death of fear.
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I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.
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To fear is to expect punishment. To love is to know we are immersed not in darkness, but in light.
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Fear doesn't exist anywhere except in the mind.
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I don't like rats, but there's not much else I don't like. The problem with rats is they have no fear of human beings, they're loaded with foul diseases, they would run the place given half the chance, and I've had them leap out of a lavatory while I've been sitting on it.
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What is the benefit of fasting in our body while filling our souls with innumerable evils? He who does not play at dice, but spends his leisure otherwise, what nonsense does he not utter? What absurdities does he not listen to? Leisure without the fear of God is, for those who do not know how to use time, the teacher of wickedness.
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My fear is that people associate Rand Paul's social conservatism with libertarianism, when it's not.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or 'outsideness' without laying stress on the emotion of fear.
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Nothing is really typical of my efforts... I'm simply casting about for better ways to crystallise and capture certain strong impressions (involving the elements of time, the unknown, cause and effect, fear, scenic and architectural beauty, and other seemingly ill-assorted things) which persist in clamouring for expression.
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Fain would I climb, yet fear I to fall.
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I suffer from a more complex, persistent fear. It manifests itself in nerves, and on film the camera sees even the tiniest evidence of this. So you have to learn that when the director calls 'Action,' you don't go to this place of tension, but somehow you become free.
