Drama Quotes
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As soon as I went to painting school in New York, I took an experimental film course, and everything clicked and came together. I realized my love of music and drama and the visual arts all came together.
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So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
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Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
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I got rejected from all the good drama schools first time.
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I believe there should be no more drama, but it's everywhere you go. It's just about how you get out. You've gotta bob and weave because it's everywhere. How do I keep the drama low? It's about using your head.
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Heroes in drama are people who try hard to reach a virtuous ideal. And whether they succeed or fail really doesn't matter - it's the trying that counts.
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I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.
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I was always nervous before a television show, and I still am now. But 'The Great British Bake Off' is a happy show; there is no bad language, and although we do have drama, we deal with it calmly.
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A smart man can't beat a hardworking man and a hard working man can't beat a happy working man.
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Everyone loves a slice of period-drama-pie, but I think the success of 'Upstairs Downstairs' is really down to the wonderful format that Jean Marsh and Eileen Atkins created.
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There are so many people that say they are actors and they don't spend for 5 minutes a day working on their craft. You need to train and need to take classes to keep your tools sharp. I'm always in class, whether it's theater or drama workshops.
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Drama school is a pretty intense experience, and I think it changes who you are.
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I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
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At the end of my first year, I realized I wanted to do more drama, so I actually started an extracurricular course outside of university. So I was at school all day writing, and in the evenings I'd go to drama school. So it was nonstop.
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So in my junior year, I switched to the drama department.
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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.
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When I was a kid I never knew the difference between a sitcom and a drama. I just knew what my parents were watching and what was making them happy.
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I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.
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'Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case – which didn’t exactly fill me with confidence.'
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Secrets make for good drama, and revealing the hidden truths and contradictions of life is, for me, one of the most exciting aspects of making movies.
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The sixty-minute drama form has become very rich.
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Matt Bomer and I went to Carnegie Mellon for drama together.
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I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
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If centralism is ultimately to prevail; if our entire system of free Institutions as established by our common ancestors is to be subverted, and an Empire is to be established in their stead; if that is to be the last scene of the great tragic drama now being enacted: then, be assured, that we of the South will be acquitted, not only in our own consciences, but in the judgment of mankind, of all responsibility for so terrible a catastrophe, and from all guilt of so great a crime against humanity.”
