Drama Quotes
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Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.
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I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.
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It's a basic tenet you learn at drama school. If you're playing someone evil, you can't make an objective moral judgment. You've got to get inside the character and empathize as much as possible.
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I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, 'Why doesn't he get off? Why doesn't he get off?' I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working.
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I used to regard genres as being embedded in cliches, and I always felt funny about the need we have to label things. But I'm happy to think of 'Starred Up' as a prison drama, although we tried to smuggle in some elements of family drama in there.
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My teacher at RADA said I was going to have trouble when I left because I wasn't an obvious juvenile lead, although I could do both comedy and drama. But I understood enough to know that my career was going to be a marathon, not a sprint.
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Drama as an art is quite unspeakable, although some old plays are admirable as a form of vulgar amusement.
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When I left drama school, there were dozens of rep theatres you could apply to where you got a good training.
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I've always found teenagers really interesting. I think they've got so much going on in their lives, so that lends itself really well to fiction because there's so much drama, so much activity, so much growth.
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It doesn't come easily to me, comedy. It's definitely not my strong suit. I'm probably more suited for drama and dramatic roles, but I certainly would love to be in quirky and fun movies.
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I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
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A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.
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I've thought about how it will make things easier for you. But I can't do that because more than my emotions, the future of Fresh Men is more important. Because more than my pride, my friends are more precious.
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If you look at 'The Best Man,' there's a lot of humor in that, but I never consider that movie a comedy. I felt that it was a drama with comedic elements and comedic parts to it.
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It's great extremes which leads to great drama and great comedy.
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We try to be driven by what's a good story, what's truthful, and the drama of what happens next.
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I went to the Carnegie Mellon School of Drama.
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My parents were so proud when I got a scholarship to go to theatre school - it was unheard of that a coal-miner's son should go to drama school.
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I was 11 when a teacher suggested to my parents that they should send me to drama classes to curb my disruptive ways in the classroom. The next Saturday I was acting, and thereafter it became a ritual of my youth to see a show at the Belvoir on Sundays and, if I was lucky, another at the Opera House on Monday after school.
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My natural accent is American. I chose to speak with a U.K. accent when I was about to enter the final year at drama school in London. I was going to try to find a way to stay in the U.K. after I finished college and could not imagine trying to live and get work there with an American accent.
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I started out more interested in drama, but comedy just came naturally to me, and it's become what I'm most known for, even though my sensibilities still lean towards the dramatic for the most part.
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. . . life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which . . .
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I went to drama school and, after that, went to Paris to train at a place called Ecole Philippe Gaulier. When I came home, I realised I'd have to have a serious stab at it. I didn't have an agent and didn't have the traditional drama school showcase, so I started a comedy group with a couple of friends.
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I took up drama and did so much extracurricular work, like the National Youth Theatre and Guildhall's Saturday school. Acting is where I felt most comfortable and how I wanted to express myself.
