Drama Quotes
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When I first started out in the industry, I was 12 or whatever, and I wanted to be on something so bad, and I didn't know what I was going to be on. At the time, I was in school, and I was working on drama and theatrical stuff, so I never thought that I'd end up going to comedy.
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I teach people that no matter what the situation is, no matter how chaotic, no matter how much drama is around you, you can heal by your presence if you just stay within your center.
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I didn't start drama school until I was 20, and I don't think I would have gotten nearly as much out of it had I gone when I was 18.
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Whatever kind of movie it is, you're going to be more into it when you care more about the drama, or you'll have a better laugh if you feel like you know the people better.
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None of us had any idea of how successful Downton was going to be. I thought I was signing up for another period drama that had a slightly modern feel. It had a freedom about it because it was coming out of the head of Julian Fellowes. Anything could happen and generally did.
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'McLeod's Daughters' was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera.
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A lot of roles for people with disabilities are quite patronising. It's a real pity when they are just used to give dull PC kudos to a drama, or when they're wheeled on in a tokenistic way without any real involvement in the plot.
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I've always had a thing for old movies, old Hollywood. I've always just loved watching Marilyn Monroe and Greta Garbo. In all of those old movies from the '40s and '50s, women put themselves together so well, with a little bit of drama and elegance. That was fascinating to me growing up.
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I've never been a career builder. I didn't go to drama school and hardly went to any school at all.
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There's enough drama in my life whether I want it or not. There's enough going on right now to keep my head spinning all the time.
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I would like to do a nice comedy/drama feature with a good part, but nobody's asked me to do a film. Maybe it's because they don't know what to do with a guy in a dress.
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I beg you to believe that life is not a process, it's a drama.
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I was acting since I was a kid, going to drama classes and being involved in every school play and musical that I could get my hands on, so it was something that was a part of me from a very early age.
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To make a movie about someone who is thinking and writing is scary. There's no big love story, no action, no drama. It's not an easy task.
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The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.
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At the end of the day, I do think I'm happiest doing comedy. I love it. I know that I can do other things. I love drama as well.
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I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.
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At its core, 'Heroes' is an ensemble character drama with genre elements.
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I'd done acting at a local drama school on Saturdays. I just enjoyed it. It never entered my mind I could possibly do it for a career.
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Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.
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When I wrote 'Southern Baptist Sissies,' that was the first time that I really ventured out into pure drama with themes where there was not one laugh sometimes. But I've always gravitated organically to blending tones and usually get good reviews about that. That's what life is about.
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I think I was about 18 before I decided I wanted to pursue acting. I went to drama school in Western Australia when I was 19.
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There are so many people that say they are actors and they don't spend for 5 minutes a day working on their craft. You need to train and need to take classes to keep your tools sharp. I'm always in class, whether it's theater or drama workshops.
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I think its natural if youre doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.
