Drama Quotes
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You know how there's always the one girl in drama school who can cry at the drop of a hat? She has that emotional well she can tap into in a second? I'm not that girl. It takes a lot to get me to that place.
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I've always done drama, but I suppose 'Tyrannosaur' was a bit of a watershed moment for me. It was like when Kathy Burke did 'Nil By Mouth' - suddenly, people were saying, 'Oh, she can do that, too.'
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As an actor, the first thing you learn in drama school is you never judge.
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I went to high school directly across the street from Carnegie Mellon, actually, and I knew people that were a couple of years older than me that went there. I was able to see shows in the drama department, and hang out there little bit, and it just felt like a natural progression. It was at the top of my list.
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I like superheroes. I like the drama of it, the stirring, larger-than-life aspect.
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I love Frances McDormand so much. I love her career. And I think it's fun because she gets to do comedy as well as drama.
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I applied to the Guildhall School of Music and Drama in London and didn't get in the first year, so I worked at Costa and the Dean Gallery Cafe then applied again and got in the next year when I was 18. I was so excited.
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We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.
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I love gritty drama. I'm passionate about films and drama that make you think - hard-hitting, gravelly characters.
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The Bible has come under fire for making woman the fall guy in man's cosmic drama. But in casting a male conspirator, the serpent, as God's enemy, Genesis hedges and does not take its misogyny far enough. The Bible defensively swerves from God's true opponent, chthonian nature. The serpent is not outside Eve but in her. She is the garden and the serpent.
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But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.
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I like a certain style of show, I like a certain pace, I like a rhythm, I like a lot of comedy in with my drama.
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So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers.
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If you're on a network show, it's either some wacky sitcom or a drama where you're servicing a procedure.
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The doctrine of the Second Coming teaches us that we do not and cannot know when the world drama will end. The curtain may be rung down at any moment: say, before you have finished reading this paragraph.
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I wasn't good at examinations, but I went to a very good secondary school - Bolton-on-Dearne - with wonderful teachers, who taught me drama and encouraged me in every way.
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I really hope someday in Hollywood, some producer or director will hire me only to do drama.
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I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
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I enjoyed the drama of 'One Tree Hill,' and the opportunity to be one of the comedic aspects, initially.
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In my first year at drama school, I did this kids' show called 'Let's See.
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I do like reality shows, and I watch some of them because they're high drama. It's also just fun to watch people have honest reactions.
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It is the sincerest thing I have written, caught by the drama of a soul struggling in the contrary toils of love and religion - death brought them into harmony.
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I thought I wanted to go to drama school or university, and that would have been a completely different life. But what got me was the sound, and hearing it. Hearing everything so loud, I loved that back in the studio. I loved that from the very beginning.
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In Britain, the theatre has traditionally been where the public goes to think about its past and debate its future. The formation of the National Theatre, at the Old Vic, near the South Bank, in 1963, institutionalized the symbolic importance of drama by giving it both a building and state funding.
