Style Quotes
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Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
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I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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I am in no way a confident person - except when it comes to what I'm writing. It's just like, this is what I can do, and I have what I think is a pretty strong voice, for better or worse. It's the style I like to write in.
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Establishing a style is important, it really is, but a lot of singers get so involved with their instrument, and more so than they do in what they're singing. I think you really have to think about what you're singing. You have to make the public believe what you're singing. And in order to do that, you have to believe it.
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When I started writing it was kind of hard getting people to do my stuff. They' say they couldn't do my style.
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Scrawling 'I'm gay' in lipstick on your parents' bedroom mirror may demonstrate a personal signature of the highest style, but is not particularly sensitive to their feelings. Upon hearing me utter those words almost twenty years ago, my own mother did what and self-respecting middle-class mom would do: went directly into a seizure.
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I think because people can't understand our style, they think it's a joke. Our music isn't intellectual - we make music for the common man.
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I'm not even sure I have a style! All I know for sure is I don't want to look like everyone else.
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I have my own style, but it's different for each kind of music. There are certain little characteristic things every player has.
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I give people style tips in Whole Foods. Wherever I go, people want to ask me questions all the time, and I'm more than happy to answer them. I love talking to people.
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I don't have any style icons, but I get inspiration from my friends. My style motto is that it is better to be overdressed than underdressed.
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As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.
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I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes - where a woman's personality and sense of style are realized.
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Doing classic plays is wonderful. It's a wonderful way of developing style.
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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To have a sense of style, it shows you know yourself. People like that.
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You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you aford the time to take the chance to write what you wish.
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I do a little bit of yoga-style meditation. Relaxing and breathing even just one minute a day makes a big difference.
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My style, in terms of what I wear, is kind of representative of the music.
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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I love that kind of edgy, rock n' roll punk thing that we do so well in England. But my style adapts to where I am. When I'm in Los Angeles, suddenly I'm like, 'I need a sandal, and I need a beige dress, and I need some flowers in my hair.'
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My brand reflects my personal style. I think my inspiration comes from wanting to make clothes I want to wear and enjoy.
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My best background is, like, smash opponents. I all the time go forward. I all the time try to take down somebody. Make him give up. This is my style, you know. This is what I do all my life.
