Style Quotes
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To acquire style, begin by affecting none.
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I'm still the best Keith Moon-style drummer in the world.
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Seurat's pointilist style .. ..inhibits me and hinders the development of spontaneity of sensation. 1
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What I think of as style - and I've gotten to this over years of really thinking about it - is that style is the unconscious choices I make.
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Once people start making comparisons to a player of the past, they want you to be that player. I try to go out there and create my own image, my own style, my own type of game. Right now I can't even think of one guy I've been compared to.
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For me, style is essentially doing things well. If you want to be outrageous, be outrageous with style. If you want to be restrained, be restrained with style. One can't specifically define style. It's like the perfume to a flower. It's a quality you can't analyze.
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My vocal style I haven't tried to copy from anyone. It just developed until it became the girlish whine it is today.
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A comic, you have to be looking down at him. My favorite rooms, the audience is above the stage, stadium-style.
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Kate Moss. She looks good in anything. She would look good in one of your t-shirts, in her t-shirt, in a man's suit, in a huge gown. She looks amazing naked. She even makes nude look stylish. That, to me, is a style icon. She could put a barrel on and it would be some sort of statement.
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Punk rock was exciting because you could get your ass kicked for looking like a punk. Punks were atrocious. They created mayhem. Now you just throw on a plaid-that's not style.
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Style is primarily a matter of instinct.
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I would describe my style as off the wall. I like stuff that doesn't match. I just like to stand out.
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Adam Levine and I remade the Rolling Stones' classic Wild Horses, and it is right up my alley, that whole style. It has a style of its own but still stays very true to the classic arrangement, and I love it.
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One gloomy and pessimistic writer with a powerful style affects a whole generation of writers, who in turn affect almost every educated person in the country.
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I decided to make pictures of fragments, images that would spill off the canvas instead of recede into it like a medicine cabinet. I wanted to find images that were in a 'nether-nether-land': things that were a little out of style but hadn't reached the point of nostalgia.
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I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
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When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.
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I come from a place that likes grandeur; it likes large gestures. It is not inhibited by flourish. It is a rhetorical society. It is a society of physical performance. It is a society of style.
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The approach to style is by way of plainness, simplicity, orderliness, sincerity.
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Youth culture now really looks back and embraces the past, but keeps it contemporary but not sticking to one particular style.
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I don't have a life-style, I have a life.
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My own style is pretty classic; I much prefer to design for others.
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Walk out of the house the way you feel you want to look that day - it doesn't mean you have to stick to that style for the rest of your life.
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I tried to work with a record label; I tried to work with a booking agency, variety shows. I went to Vegas. I just tried everything I could think of, and nothing took. No one thought there was a place for my style and my music; it was just too different.
