Subjects Quotes
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The camera is a remarkable instrument. Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.
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The state and its elites must be subject, in theory and in practice, to the same laws that its poorest citizens are.
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Most persons who indulge in second thought don't do much thinking when the subject is presented for first thought.
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As Claude LeLouche said, his favorite American director is Sergio Leone. Not because I would be American, but because I was dealing with subject matter that an American could have just as easily dealt with.
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I am now . . . on a subject, which fills me with inexpressible concern . . . . But as it has been a kind of destiny, that has thrown me upon this service, I shall hope that my undertaking it is designed to answer some good purpose.
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A publisher should always be on the receiving end. He should take an interest in almost any subject and remain anonymous, letting the author take center stage.
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I felt the need to get back to painting and I thought the best way was to start drawing, so I enrolled in a life drawing class. I soon discovered that people made very interesting subjects and I am still surprised that I had never discovered it before.
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I am interested not in individual readings, but in constructing networks of images and meanings capable of reflecting the complexity of the subject.
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The intellectual treatment of any datum, any experience, any subject, is determined by the nature of our questions, and only carried out in the answers.
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Skepticism is not a position; skepticism is an approach to claims, in the same way that science is not a subject but a method.
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The subject of criminal rehabilitation was debated recently in City Hall. It's an appropriate place for this kind of discussion because the city has always employed so many ex-cons and future cons.
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It's important to let your subjects be themselves.
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An enactment for the favour and liberty of the subject ought to have a liberal construction.
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When you make a movie, a dramatization based on the real experience of a living subject, you cant airbrush that away into to a perfect movie arc.
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Its subject is the slow and erratic process by which the peoples of the British Isles learnt - and then for long periods forgot - about the 'Safeguard of the Sea', as the 15th century phrase had it, meaning the use of the sea for national defence, and the defence of those who used the sea.
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It is important to see that, in the critique of ideology, only those interventions will work which make sense to the mystified subject itself.
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I must react selectively, contrarily, arbitrarily, perversely, and always with intensity directly from the subject.
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I think that if journalists, reporters who spend a lot of time on a story, are honest with themselves, we all have feelings about our subjects - I mean, unless you're a robot.
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The particular, eternally persisting, elementary physical stuff of the world, according to the standard presentations of relativistic quantum field theories, consists (unsurprisingly) of relativistic quantum fields... They have nothing whatsoever to say on the subject of where those fields came from, or of why the world should have consisted of the particular kinds of fields it does, or of why it should have consisted of fields at all, or of why there should have been a world in the first place. Period. Case closed. End of story.
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People think: 'If this photographer's looking like a big jerk-off, maybe it's okay if I do.' I like to catch my subjects off balance a bit.
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I was never ignorant, as far as being experienced in classrooms and learning about different subjects and actually soaking it up.
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Without an unfettered press, without liberty of speech, all of the outward forms and structures of free institutions are a sham, a pretense - the sheerest mockery. If the press is not free; if speech is not independent and untrammeled; if the mind is shackled or made impotent through fear, it makes no difference under what form of government you live, you are a subject and not a citizen.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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It is dangerous to mention any subject having high emotional content without hastily saying where you are for or agin it.
