Painting Quotes
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The value of a work of art cannot ultimately turn on the more or less of its subservience to ideology; for painting can be grandly subservient to the half-truths of the moment, doggedly servile, and yet be no less intense.
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(Canada) - the most parochial nationette on earth ... I have been living in this sanctimonious icebox ... painting portraits of the opulent Methodists of Toronto. Methodism and money in this city have produced a sort of hell of dullness.
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I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
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It's not about perfection. What's a perfect painting? What's interesting about a perfect painting?
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When I first started painting, I had an interesting nightmare about Cleveland - I dreamed the houses there were encased in this free-floating cage structure. I guess Cleveland was a confining place for me, even though my parents weren't too conservative.
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My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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I believe in the ethos of the remix, like Andy Warhol making a painting of a Campbell's soup label.
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It is better decoration when, in painting, some monstrosity is introduced for variety and a relaxation of the senses and to attract the attention of mortal eyes, which at times desire to see that which they have never seen.
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Painting, I think it's like jazz.
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The aim of the painting is that the eye should find out what it likes.
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Abstract painting is dead. That's why it has become so interesting again.
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The future turns out to be something that you make instead of find. It isn't waiting for your arrival, either with an arrest warrant or a band, nor is it any further away than the next sentence, the next best guess, the next sketch for the painting of a life portrait that might become a masterpiece. The future is an empty canvas or a blank sheet of paper, and if you have the courage of your own thought and your own observation, you can make of it what you will.
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One minute you're bleeding. The next minute you're hemorrhaging. The next minute you're painting the Mona Lisa.
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Pablo Picasso would paint a painting and hang it on the wall, and you would go and see the painting exactly how he wanted it to be made. But if you have an idea for a TV show, for example, you're beholden to studios to produce it and distributors to distribute it.
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I tried painting for a short time and realized that I was not a child prodigy at painting.
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The expressive techniques of painting are capable of conveying an analogy but not an impossible photograph of a moment
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A fat lot of good it would do if I told you that Titian's courtesans make you want to caress them. Some day you'll see the Titians for yourself, and if they have no effect on you, then you don't understand the first thing about painting. And I wouldn't be able to help you.
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My cubist paintings are my most Mexican.
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I just keep painting till I feel like pinching. Then I know it's right.
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Cézanne's painting is strictly painting, and its value is immense; but Van Gogh's painting has the Outsider's characteristic: it is a laboratory refuse of a man who treated his own life as an experiment in living; it faithfully records moods and developments of vision on the manner of a Bildungsroman.
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Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.
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Rock roll is not obscure, it's really easy to understand. So is my painting.
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Painting becomes interesting when it becomes timeless.
