Buildings Quotes
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Modern building has become so universally conditioned by optimized technology that the possibility of creating significant urban form has become extremely limited.
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These are pretty substantial buildings. We are reasonably confident that we may land two or three new courts in the next few years.
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What's similar between Britain and America is the lack of good-quality civic buildings.
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For the Spartans, it wasn’t walls or magnificent public buildings that made a city; it was their own ideals. In essence, Sparta was a city of the head and the heart. And it existed in its purest form in the disciplined march of a hoplite phalanx on their way to war!
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I never believed 9/11, because I had engineering training at GA Tech, and I could tell when a building is being blown up by explosives. Any fool can look at those films and see the buildings aren't falling down, they're blowing up.
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The appearance presented by the streets of London an hour before sunrise, on a summer's morning, is most striking even to the few whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, cause them to be well acquainted with the scene. There is an air of cold, solitary desolation about the noiseless streets which we are accustomed to see thronged at other times by a busy, eager crowd, and over the quiet, closely-shut buildings, which throughout the day are swarming with life and bustle, that is very impressive.
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We know that the hope was that the focus of the buildings would remain artistic. We've tried, not believing we're able to assuage any of those hurt feelings, to embrace the spirit of the place by making art a focal part of our environment.
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But I can tell you that the building is supposed to be somewhere near Saddam's old palace, from where he ruled this country, and where he kept his gifts. And millions and millions of dollars have been spent fortifying the building for security.
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We know what gets cuts first. It's going to be the maintenance of the buildings. It's going to be professional development for teachers, and after that, it's going to go right on down the line to school staffing.
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In far Eastern Russia, there's just some towns that time has forgotten. I guess they used to maybe be industrial or something that are now there's just lots of rusty hulks of buildings and a lot of people wandering around, a lot of alcoholism and violence because people have got nothing to do and no work. Yet people were very generous.
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Sir Isaac Newton legendarily wrote the famous Philosophiæ Naturalis Principia Mathematica, which gave us principles that a couple of hundred years later were good enough to land a man on the moon. Then he wrote the slightly less well known Philosophiæ Naturalis Principia Artes Magicis, which codified the magical techniques that allow me to inconvenience paper targets and Nightingale to demolish small agricultural buildings.
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Architecture is about public space held by buildings.
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We shall not have succeeded in demolishing everything unless we demolish the ruins as well. But the only way I can see of doing that is to use them to put up a lot of fine, well-designed buildings.
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The site will have two medical office-type uses. Basically, they'll be identical buildings.
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Where can we find greater structural clarity than in the wooden buildings of old? Where else can we find such unity of material, construction and form? here, the wisdom of whole generations is stored.
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The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
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The town of Morehead had a business district shaped like a funnel. The funnel's mouth was corroded with low buildings of stone and wooden fronts.
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Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.
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The pressure on the engineering community at that time was to prove they could design buildings that wouldn't be damaged by earthquakes. We are still doing that.
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The building art is man's spatial dialogue with his environment and demonstrates how he asserts himself therein and how he masters it.
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Houses were knocked down; streets broken through and stopped; deep pits and trenches dug in the ground; enormous heaps of earth and clay thrown up; buildings that were undermined and shaking, propped by great beams of wood. In short, the yet unfinished and unopened Railroad was in progress.
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In 1912, when I was working in The Hague, I first saw a drawing by Louis Sullivan of one of his buildings. It interested me.
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I was reminded of the Winchester Mystery House, which I’d seen as a child on a trip with my parents. From above, there was the same sort of random conglomeration—peaked roofs connected to flat roofs, shakes and shingles, tarpaper and skylights—and I realized that Frank had constructed his house from the town, connecting the buildings until they made one enormous edifice. “Jesus,” I breathed.
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Forget land, buildings, or machines-the real source of wealth today is intelligence, applied intelligence. We talk glibly of "intellectual property" without taking on board what it really means. It isn't just patent rights and brand names; it is the brains of the place.
