Imagination Quotes
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I always thought that the location of this film [Girl In The Train] was on the train and inside her imagination, and her loneliness and her gaze out the window.Although it was set in England, it didn't feel to me like an overly English book. In terms of the use of cultural references, it was not extreme, so it was very simple to go from England to America in the adaptation.
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Using your imagination to create mental images stimulates your mind, helps organize your life and keeps your focus in a particular direction. It allows your unconscious mind to work toward the image you have created, the goal. It's about understand the life you want to live, and seeing it unfold before you.
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Claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination.
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Most members of Congress are politicians. They're bores. They're damn boring. They have no imagination, and they don't know how to imagine the future.
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If my future were black, it was better surely to face it like a man than to attempt to brighten it by mere will-o’-the-wisps of the imagination.
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The writer by nature of his profession is a dreamer and a conscious dreamer. He must imagine, and imagination takes humility, love and great courage. How can you create a character without live and the struggle that goes with love?
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If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.
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Achieving goals is a creative process. The first step in the creation of your primary goal takes place in your conscious mind. Through the aid of your senses and/or your imagination, you must form a very clear, concise image of yourself already in possession of your goal.
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Further, for once, I like the idea that people who think I'm a constant voice for the furthering of the imagination have to see that interest in a more materialistic fashion.
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The object of religion is the imagination, that deep and inexhaustible font of our understanding and symbolizing our deepest possibilities.
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My imagination is a kind of animal. So what I do is keep it alive.
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St. Pope John XXIII called for the Second Vatican Council because he understood, as no Holy Father had in a long time, religion spoke to and found its language and symbols - its entire sense of the sacramental nature of existence - in the imagination that reveals not just the penalties of living, but the wonder and awe of our existence.
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A writer who attempts to live on the manufacture of his imagination is continually coquetting with starvation.
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Even when we look at nature, our imagination constructs the picture.
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And while imagination flourishes alone and in secret, it also craves fellowship.
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I don't understand the process of imagination-though I know that I am very much at its mercy.
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Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
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If there is one thing I long for above all else, it's that the years to come may see Christianity in this country able again to capture the imagination of our culture.
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It's our imagination that's responsible for love, not the other person.
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Love at first sight is only realizing an imagination that has always haunted us; or meeting with a face, a figure, or cast of expression in perfection that we have seen and admired in a less degree or in less favorable circumstances a hundred times before.
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I've never really had much of an imagination. But still I would try to picture the exact moment when the beating of my heart would no longer be going on inside my head.
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It was over in a blink of an eye, that moment when aviation stirred the modern imagination. Aviation was transformed from recklessness to routine in Lindbergh's lifetime. Today the riskiest part of air travel is the drive to the airport, and the airlines use a barrage of stimuli to protect passengers from ennui.
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I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.
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When I get an idea I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in my thought or test it in my shop. I even note if it is out of balance.
