Trying Quotes
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We are trying to schedule music every other Saturday night from 7 to 10 p.m. We like to feature local talent.
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Making art, I try to just gently persist, instead of having freak-outs where I'm like, Oh, my god, I'll never draw again. You are going to draw again, so you might as well relax.
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I am a patriot. I would think there are no politicians who are not patriots. Since I am a politician, I often get criticized, as I try to exercise what I believe to be right. However, if you mind such criticism, I think you can't protect people's lives.
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I guess if I'd had any sense, I'd have been a little scared [to register to vote] - but what was the point of being scared? The only thing they could do was kill me, and it kinda seemed like they'd been trying to do that a little bit at a time since I could remember.
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The best pictures are always those one dreams of when one is smoking a pipe in bed, but which never get done. But still one ought to try, however incompetent one may feel before the unspeakable perfection and radiant splendour of nature.
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I don't believe in failure, because simply by saying you've failed, you've admitted you attempted. And anyone who attempts is not a failure. Those who truly fail in my eyes are the ones who never try at all. The ones who sit on the couch and whine and moan and wait for the world to change for them.
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The things that are hardest to shoot are the things where you want people just to feel very natural, and you want to do love scenes, and you want to do just kids hanging out and trying to get them to relax.
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If we wish to imitate the physical sciences, we must not imitate them in their contemporary, most developed form; we must imitate them in their historical youth, when their state of development was comparable to our own at the present time. Otherwise we should behave like boys who try to copy the imposing manners of full-grown men without understanding their raison d' être, also without seeing that in development one cannot jump over intermediate and preliminary phases.
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That's why we seize the moment try to freeze it and own it, squeeze it and hold it.
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I try to do everything from thinking about big issues like how a building fits into the larger stream of architectural history to practical issues such as how it feels to navigate your way through its interior.
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I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.
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When somebody asks me a question, I try to be as straightforward about it as possible. I try not to overthink what I'm going to say in an interview.
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I love to act because I love trying on other people's skin.
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You're trying your damndest, you strike out and they boo you. I act like it doesn't bother me, like I don't hear anything the fans say, but the truth is I hear every word of it and it kills me.
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For me, I'm just trying to be the best at what I do. I'll wave an Asian American flag if I get that opportunity. I'm not hiding or trying to discredit my background or anything, I just haven't had the opportunity.
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I'm not trying to be coy, but I think everyone notices these things like skin color but some people are more aware that they are noticing them than others, maybe. If that makes sense.
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Creating one single story often requires experimenting and planning and falling on your literary rear more than once before you find the way that works for your particular tale. The most important issue is to keep on trying until you get it right.
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There is a huge tension in trying to write with small children because they demand your attention and your time with a fierceness that can be matched by nothing else, but if you are successful in writing while you have small children, I actually think that your writing is likely to be deeper than it was before.
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I try not to think about marks, the first place or gold medal. The most important thing is to show what you are capable of on ice. The rest will come on its own.
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I've struggled with depression, and the signs that I was falling apart - having heart palpitations at 4 A.M. - were there for a long time before I paid attention. Even when my psychiatrist gave me a questionnaire, I found myself trying to circle the answers that made me seem like I wasn't a wreck. I've since learned to listen to my body.
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I was trying to control myself because I wanted to just park the car and jump out and do cartwheels. The next dream is to win the world championship.
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We are trying to live as if we were an experiment conducted by the future.
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I actually looked up in my journal trying to figure out some dates and, in January 1991, America is about to go back into its first sort of actual war since Vietnam, with the Gulf War. It just seemed unbelievable at the time that this country would do that - which is funny to think about now.
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I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.