Trying Quotes
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I waited. Because with Eli, he was never trying to get you to finish for him. He always knew where he was going, even if it took a little while to get there.
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I pretty much only write by default, because I want to make certain projects so instead of trying to wait and find them, I create them, but I'm not really a writer.
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I already have legitimacy as a filmmaker and now I'm trying to do stuff that's just fun. Until I find a cool tangible subject again that I want to tackle.
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If I'm trying to put size on for a role, then I don't do much running.
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The biggest hurdle that our communities have is cynicism - saying it's a done deal, who cares; there's no point to voting. If we can get somebody to care, it's a huge victory for the movement and the causes we're trying to advance.
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We have the illusion of freedom only because so few ever try to exercise it. Try it sometime. Try to save your home from the highway crowd, or to work a trade without the approval of the goons, or to open a little business without a permit, or to grow a crop without a quota, or to educate your child the way you want to, or to not have a child. We all have the freedom of a balloon floating in a pin factory.
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So many writers come to class with one question dominant in their mind, 'How do I make a living from this?' It's a fair enough question and one I always try to answer well- but it saddens me that it so often overshadows the more relevant questions of 'why am I writing' and 'what am I saying' and 'how do I keep it honest.
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You try to take it game-to-game and keep working.
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There are so many rappers now that it's cluttering our culture. 90% of the time at a show there are more artists in the crowd than there are fans - it's too much. Too many people try to give you CD's.
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If you want to go put on a bathrobe and go walk down the street, excellent. I think it's more about trying to get an individual style than trying to get a uniform look.
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You know that thing where you're trying to do the crossword puzzle, and you're trying to fit the word that's in your head in the puzzle, and then you go 'Ugh!' and you walk away, and then it comes to you. I'm interested in that moment. The release of expectation, and the release of pleasing yourself and pleasing anybody. Breaking the mindset.
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Healthy things grow, and growing things change. If we allow fear or doubt or shame or insecurity to hold us back from something new God is calling us to do, we may miss out on his greatest purpose for our life. As believers, we go from strength to strength, from glory to glory. And in order to keep expanding God's kingdom, we have to keep growing and trying new things.
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You're always trying to make each record more autobiographical than the last one.
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I don't like religion very much. I think it's all about people trying to be very certain about things that are very uncertain.
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I've always been like this - trying to find adventure where it's still in its first élan - the first spring.
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I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
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I often had to pass over photographs because in a mass of animals invariably one would be wandering in the wrong direction, thereby disrupting the pattern I was trying to achieve. Today the ability to digitally alter this disruption is at hand.
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Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.
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Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
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And if you ever - and I do mean ever - try to leave me, I’m goin’ with you.
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They've tried to manufacture other Marilyn Monroes and they will undoubtedly keep trying. But it won't work. She was an original.
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One of my mentors was Patricia Schroeder, and one night she came to me on the floor and she said to me, "Why are we sitting in Congress, when a lot of women would try to do it and couldn't? Why are we here and others aren't?" And I thought back and said it was because my father believed in me and she said the same thing, she said her father believed in her and thought she could do anything.
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I would say that my whole career is effectively trying to be a storyteller within the context of financial news.
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Somehow, something is always suffering. Someone is always losing out somehow. If you pick one kid up, you're not picking the other one up. You just try to minimize those small let-downs because, in a way, life is a series of let-downs from everyone, all the time. We don't mean it, but it happens. So, I just try to minimize that and spread them wide.
