Trying Quotes
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When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
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I used to want to be a war photographer, and I used to want to be a ballerina and a comedian. I used to want to be a writer. I invalidated myself; it’s a mistake for me. ... There’s just a lot of stuff that really moves me, and I don’t know how to express it, and I just want to try to do the best I can and surround myself with good people who don’t invalidate me.
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Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.
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Different scenes call for different acting styles. The kinds of scenes I like most are the ones where you just bury yourself in there. So I wouldn't say that's the only way to be funny, but that's my favorite way to play stuff, to try to put myself in a situation where that kind of acting is necessary.
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My work is a part of me and I know it. I have no reason to try to pick one part of me out from the rest. I only see my work, or rather I should say I see my work only telling my part of the human experience.
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When I'm cynical, I seek out bands that are fully participating and trying to push something forward. Or I can just start playing music again - which is happening with a new project. But I think it's always a challenge to overcome cynicism and not get bogged down by a sense of nostalgia. That can be such a stifling feeling.
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A picture can be an answer as well as a question but if you can't answer your question try to question your question... There can be questions without answers but no answers without questions.
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In short form I'll say it was an approach to the family and to [author] Jon Krakauer that then led to me seeming to rise to the top of the heap of several filmmakers that were trying to get the rights. And by top of the heap I mean in terms of being somebody that was trusted to do it as they said they were going to attempt to do it and that this way of doing it would be something they would be willing to allow.
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So, as opposed to getting people in to read the script and read scenes with me, what I wanted to do was sit down and chat to these people and just say, "Okay. Do you share my sense of humor? Do you understand what this film is getting at? Do you know the tone that we're trying to get to?" And it was interesting.
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If you thought you were trying to find out more about it because you're gonna get an answer to some deep philosophical question...you may be wrong! It may be that you can't get an answer to that particular question by finding out more about the character of nature. But my interest in science is to simply find out about the world.
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But I could never have done it," he objected, "without everyone else's help." "That may be true," said Reason gravely,"but you had the courage to try; and what you can do is often simply a matter of what you will do.
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I can try to wheedle information out of people," Holly offered. "For which I'll need a lower-cut top.
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If you are deliberately trying to create a future that feels safe, you will willfully ignore the future that is likely.
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I think a film should be appropriate to what it's trying to say or the characters in it.
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Slow down. Stop trying to do everything now, now, now. Hold up the people behind you for all you care, feel them kicking at your heels but maintain your pace. Don't let anybody dictate your speed.
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Sometimes it seems the harder you try to hold onto something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you because you think that your feelings were wrong and it makes you feel so small because it’s so hard to keep it inside when you let it out and it doesn’t come back. You’re left so alone that you can’t explain.
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We can't stop trying til we break up our minds, til the sun drips blood on the seedy young knight.
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I have quite a close relationship with violence and horror. They are enjoyable and terrible. I try and offset the horror with a sense of satisfaction or humor. You can't write a book that is entirely dark without having little spots that hopefully make you laugh out loud.
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We are all human and fall short of where we need to be. We must never stop trying to be the best we can be.
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Ive always got a novel under way, but if I try to work on it every day, exclusively, I falter. So I always keep more than one thing going.
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I work on OpenBSD fulltime, as the project leader. I set some directions, increase communication between the developers, and try to be involved in nearly every aspect of the base system.
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Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause.
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'A lot of fancier yarns come from people trying to tell the truth. It’s not easy once you’re out of the habit.'
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People just overshoot trying to find God. They're going outside and trying everything. They don't realize that it's right inside themselves.
