Carolyn Maloney (Carolyn Bosher Maloney) Quotes
One of my mentors was Patricia Schroeder, and one night she came to me on the floor and she said to me, "Why are we sitting in Congress, when a lot of women would try to do it and couldn't? Why are we here and others aren't?" And I thought back and said it was because my father believed in me and she said the same thing, she said her father believed in her and thought she could do anything.
Quotes to Explore
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I have a lot of road rage. Mostly with the rickshaw and cab drivers trying to cut me; it's the traffic. Grrrr!
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On a personal level, there are many people who have meant a great deal to me. My father and mother were certainly of vital importance, not only in themselves but because they created a world for me to revolt against.
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Politicians are trying to attract people to issues.
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Hubert Humphrey talks so fast that listening to him is like trying to read Playboy magazine with your wife turning the pages.
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That's something USA Hockey has been trying to do for a long time is prove that we can play with the Canadians and the Russians and the Swedes and Finns consistently on a tournament basis.
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We dried continuously day and night. We had no efficient way to do it, so we built this new popcorn plant.
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In L.A., it's easy to get wrapped up in this young Hollywood mess. You feel like you have to go out every night. You have to realize that you're here to work. I didn't move out here to party all the time.
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Look at this, scabs and cuts all over me, I get these every night, every game. They can't tell you that you're not at risk, and you can't tell me there's one guy in the N.B.A. who hasn't thought about it.
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As a kid, you obviously dream of being a professional footballer. I would watch players like Ronaldo of Brazil and pretend to be him in the playground. But I don't think about trying to become one of the best in the world or anything like that. I just play football.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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In a real dark night of the soul, it is always three o'clock in the morning, day after day.
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When I look back, I can say that the summer when I was 19 was a formative time for me. But at the time I just thought I was making tofu every night for dinner and going to work.
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Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
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Last night, two men tried to force my shutters. I recognized them: they are two of Rodin's Italian models. He told them to kill me. I am in his way; he wants to get rid of me.
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When I first got to WWE, the head of talent relations was John Laurinaitis, who is now my father-in-law, and the first thing I thought when I saw everything that he had to do is, I thought, 'I would never, in a million years, ever want that job. You could not pay me enough money to have that job.'
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Sometimes I'm successful, and sometimes I'm not, but I don't mind going down trying.
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I'm trying to get in where I fit in and take it to the next level.
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My father's in the military, so we moved a lot. I was born in Jersey but grew up in Maryland until we moved to L.A. to pursue my acting career. Music came into it after that.
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My father was an athlete, a great athlete, fought in the Marines in World War I. He was all sports and activity. My mother was all academics. I still have the complete works of Shakespeare that she had.
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I wish I started out as a solo artist.
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It's amazing what a spray-on tan will do.
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I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
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One of my mentors was Patricia Schroeder, and one night she came to me on the floor and she said to me, "Why are we sitting in Congress, when a lot of women would try to do it and couldn't? Why are we here and others aren't?" And I thought back and said it was because my father believed in me and she said the same thing, she said her father believed in her and thought she could do anything.
