Trying Quotes
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I've been in the studio experimenting on making a CD of my own. I'm trying out different producers, styles, sounds. With music, as opposed to acting, you are not playing a character. You are showing people who you are. I really want to have my spirit in it.
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The only place where you could see life and death, i. e., violent death now that the wars were over, was in the bull ring and I wanted very much to go to Spain where I could study it. I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death.
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Vietnam presumably taught us that the United States could not serve as the world’s policeman; it should also have taught us the dangers of trying to be the world’s midwife to democracy when the birth is scheduled to take place under conditions of guerrilla war.
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I don't think it's as easy as people make it out to be. You also have to protect in there. You're looking through your legs and trying to get something back there 15 yards to a certain spot. Your head's down and there's someone coming who just gets a free whack at you. I don't think there's anything easy about that deal.
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Girls are taught to sing high and pretty, like Antony, not low and from the guts like Nina Simone. But we're slowly trying to change that. There are so many things we're not told growing up, and it's our true feminist responsibility to take the truth to the people who need to hear it.
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How do you stand tall and strong as a woman while trying to be the smartest woman in the room and try to remain non-threatening?
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Nobody wants to be depressed - everybody's trying to feel better; when they strive and fail, it's all the more poignant.
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We're trying to infuse a little good into the American culture. Love God, love your neighbor, hunt ducks. Raise your kids, make them behave, love them. I don't see the down side to that.
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George Carlin is kind of my template now because George Carlin before was straight laced regular comic and he had short hair, a tie, suit, nightclub guy. Then he said screw it, let his hair grow, just started telling what he thought was the truth. So that's what I'm trying to do.
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I consider myself someone who takes a lot of beauty risks, and I've realized what I liar I am. I change my hair a lot, from blue to blonde to bald, but I'm trying to branch out a little more with makeup.
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I'm trying to bring something new to the Tin Man. He may be the one without the heart, but he's the most heartfelt guy there. It's a more manly heartfelt, a 'don't feel sorry for me' - type of heartfelt. I don't want to say tougher, because that just sounds stupid. But the Tin Man is a man's man.
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People will say, 'How do I get abs like you?' I don't know. We're all different. If my girlfriend did what I did, hiking and yoga for a workout, it would affect her body in a different way. That's the message that I really want to get out there. I'm trying to counteract that culture.
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Always try to create positivity. Even when people aren't.
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I was trying to be 27 at age 47, but God had to get rid of my vanity. I had trouble letting go of the old Lex physically. My human fleshly nature didn't want to let go of what had come to be billed as 'The Total Package.' I guess God had to help me get rid of the last remnant of that vanity and pride.
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We need to have music that contributes to the well-being of the spirit. Music that cradles people's lives and makes things a little easier. That's what I try to do, and what I want to do. You don't want to close the door on hope.
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A revolution is to bring on change and we're spiritual people trying to bring on spiritual change. It might sound like I'm a dreamer, but economic models have reached their height of evolution. Technology has evolved. What hasn't evolved is mankind's spirituality; everything is from 3,000 years ago.
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I was always enjoying the moment. Acting, writing, looking for roles and getting involved with people and trying to create something that would be entertaining to people. With 'E.R.,' we were all very lucky to get this combination of people together in the right story in the right way to take it to the level it has reached.
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I'm trying to bring a little bit of every type of sauce into one type of sound. Something that's really fresh.
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I think that usually the risk in trying to write children in fiction is the tendency to make them too cute or something.
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There are a whole host of psychological phenomenon humans have developed to protect ourselves from the sting of failure, from holding ourselves less accountable for our failures than we do other people, to letting our fear paralyze us and keep us from even trying.
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If you're trying to please everyone, then you're not going to make anything that is honestly yours, I don't think, in the long run.
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I think rappers are the fall guy because some of us don't have the wits to point the finger back. The thing is when you take a whole generation and whip them out, string the mothers out and put the fathers in jail - the reason I know respect is because my father is the mediator between me and my grandfather. I'm the mediator between my son and my father because I'm old enough to understand where my father is coming from and young enough to understand what my kid is trying to do. When you whip out the mediator the kids run wild and the old people are scared of them.
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I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
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We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
