Fashion Quotes
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Wearing baggy clothes makes me look shorter. I just don't know anything about fashion. I know what I like wearing. I'm always accused that I wear too much black. I love wearing black.
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My mum was very conscious about fashion and my dad was born into the tailoring tradition, so fashion has always been my life, although now, really, I wear the same thing - just in different weights - light and heavy cashmere in winter and cotton in summer.
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I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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In the Sixties, fashion was about liberation. It was about setting women free; it wasn't about being unable to walk.
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Obviously fashion is a completely different world from football.
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I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.
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I don't think women should look like costumes. I don't think they should look like fashion victims. I think these (clothes) are for women that want to look sexy. They want to look smart.
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'Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
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I've always enjoyed fashion and dressing up for things, whether it's high fashion or play fashion.
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I was always the poor kid, even though I very much tried to pretend to be the other way. Always well presented. Always really active in the school, doing fashion shows, plays, involved in every single aspect of the school. Overcompensating, I think, for the fact that I knew I wouldn't be going on the ski trip every January.
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One cabbie chastened me by saying that the fashion industry was doing harm to young people, who are trying to live up to an unrealistic ideal. It prompted me to make body image and diversity key issues on 'The Business of Fashion.'
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Fashion is a language. Some know it, some learn it, some never will - like an instinct.
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For me, fashion begins in New York.
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I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
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If I'm doing something in fashion, I will try to respect the 'laws' of the business, but I will try to keep my integrity and my respect for the designers and for my readers.
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Custom will reconcile people to any atrocity; and fashion will drive them to acquire any custom.
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Prejudice is a disease. So is fashion. But I will not wear prejudice.
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Fashion has a political role insofar as following it can give you the impression to belonging to a certain social group or a private club.
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I always want to be telling stories in whatever fashion I can, and directing is really just understanding and learning a different element of that storytelling process.
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Charlie would be so proud of what these young people are accomplishing today and, in true Charlie fashion, would encourage them to walk to the very edge of their comfort zone and then take another step.
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I like very much to put on fashion shows.
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Health is never going to go out of fashion.
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I love clothes, but really I don't have that much to say about skirts. Before I was writing, I went to fashion shows only when the designer was a good friend and I was there to show support.
