Color Quotes
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I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
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Growing up, I had body confidence issues, not really so much because of size but my skin color. I had trouble recognizing that the depth of my skin tone is really beautiful because whenever people referred to a beautiful black-skinned woman, you'd see Beyonce and Rihanna.
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I just don't think there are any rules to color. You have a small space with no windows? Put lamps in there, make it dramatic, paint the ceiling black. Do something with it. If it's dark, accentuate the darkness.
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I believe that who we are, and consequently the work that we make, whether we're visual artists or writers or journalists or filmmakers, is a projection of where we were born, what's been withheld or lavished upon us, our color, our sex, our class. And everything we do in life to some degree is a reflection of that context.
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I'm a woman of color, but I have so many different cultures inside of me.
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Emotions are the color of the soul.
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The people who run the show in the NBA don't know anything about Islam. I think that may also be why some people are against me personally-because I am a Muslim. It's the same way people can be against you because of the color of your skin. They don't look past these things. But it always depends on the individual.
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I deliberately look for colorful people. They're very right for theatre. Theatre has to be theatrical. If you can get color into the accountant, you've got something. Write the whole thing first and then say he's an accountant. That's a very wacky accountant, but so what? Theatricality feeds and challenges the actor, the director, and the designers.
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Usually I'm very, very involved with choosing my character's wardrobe and knowing exactly how I want the character to look and this is the color palette and the textures and these are the kinds of shoes she'd wear.
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Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.
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I call white the most powerful non-color; it's clean, optimistic, powerful.
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I take the time to show up for people in my field who are often not seen and heard in the same capacity as I am. Applauding other women and queer writers of color enables me to recognize and showcase the abundance of talent and work being created.
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It's such a beautiful sport, with no politics involved, no color, no class. Only as a youngster can you play and as a pro can you win. The game has kept me young, involved and excited and for me to be up here with gems of baseball.
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Cinema has evolved in two paths. One is spectacle. Like the phantasmagoria, its goal is the creation of a total substitute sensory world. The other is peep show, which claims for its realm both the erotic and the untampered observance of real life, and imitates the keyhole or voyeur's window without need of color, noise, grandeur.
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The specter of color is apparent even when it goes unmentioned, and it is all too often the unseen force that influences public policy as well as private relationships. There is nothing more remarkable than the ingenuity that the various demarcations of the color line reflect. If only the same creative energy could be used to eradicate the color line; then its days would indeed be numbered.
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Accomplishments have no color.
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The early summer sky was the color of cat vomit. Of course, Tally thought, you’d have to feed your cat only salmon-flavored cat food for a while, to get the pinks right.
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I've stayed away from doing 'urban film' because I just don't relate to the characters. I'm not going to take a role because I happen to have the same skin color.
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Eyeliner is a go-to for me, and gold has always been a color that I really like. It's reminiscent of a lion; it's a strong color.
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The quilt format is highly appropriate for repetition and serialization. Formal issues of balance and color, space and light in landscape are endlessly engaging. I try to use the medium to its maximum, pushing well beyond tradition.
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I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.
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It's different, it's weird to say, 'She's a white rapper or she can't do this because she's this color - this color does this thing. These are the boxes we have, this is what it is, don't try to change it.' And it's crazy to me because I'm just not from that world, so I can't really rock with it all the way.
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We live in a society that has a long history of not valuing people of color or women.
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There are people who don't respond to color. That's what painting is. It's color.
