Actors Quotes
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I've often said there's two kinds of actors. There's a more gregarious type and the shy type.
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I had no natural gift to be anything - not an athlete, not an actor, not a writer, not a director, a painter of garden porches - not anything. So I've worked really hard, because nothing ever came easily to me.
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All actors have to make the words fit in their mouths, and make the words the words fit to how you say it and how you make it life-like and make it look like what you're saying is just conversation that you're just thinking off the top of your head. That process is not quite improvisation.
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It doesn't matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.
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Sometimes you'll have great actors who aren't comfortable with improvising. Which can get pretty frustrating. But every actor's coming from a different place and they have their own strengths and weaknesses and your job is to sell them as two people in the same world. Some of them have to have their hands held and some I just let loose entirely.
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That's why there's so much bad acting out there, because you could see actors watching themselves.
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In Manhattan, every flat surface is a potential stage and every inattentive waiter an unemployed, possibly unemployable, actor.
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What's important about an actor is his acting, not his life.
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I'm a task-oriented actor. A pretender. And I try to invent my process anew each time I make a new project. So I frown on any method.
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Piece out our imperfections with your thoughts.
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Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating. There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
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I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
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I was born and raised in New York and I'm of an age where I want to just be home. But, you know, when you sign up to be an actor it's like joining the circus and the circus is not always going to be in your hometown.
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Parts win prizes, not actors.
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The reason why most of actors got into acting was so that we could become other people and have fun with being somebody else.
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An actor gives voice to the many multitudes that we all contain. That's why we love the movies, why we love TV shows: we watch different people portray an aspect of ourselves, maybe even one we don't like.
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I've done movies where I've had to cast actors and teach them to rap, and cast rappers and teach them to act.
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Not to be offensive, not to be capricious, not to be arbitrary, not to be neurotic, not to be an actor outer, you're just trying to get in and you're given so little time to get in gently, but it's always hard.
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I think actors make the mistake of finding their little niche in the business and once they try to do something a little darker, boom, they get slapped across the face for it, so they go back to what they did before.
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I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.
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You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
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L.A.'s cool; I had a run with it to where it just pretty much wore me out. I love the weather and I have great friends there, great family, but I really cannot take a lot of the culture. Like Nashville, where everybody's a songwriter, everybody out there is an actor.
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As an actor, you'll have ten parts in 2015 - eight of them will go to the other actors above you and two of them you might be close to, and you try to make them as good as you can.
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I allow an area for improvisation because the chemical things actors bring to stories make it not work.
