Choreography Quotes
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I learnt a lot from my Broadway experience, it was one of the most challenging things I will probably ever have to do in my entire life, because it was eight shows a week - live singing with really hard choreography - and the spontaneity, you don't know what's going to happen.
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When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.
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My mom was a huge fan of 'Dirty Dancing.' I couldn't quite get a break, and she was like, 'Patrick Swayze was a dancer!' And Fred Astaire. I started dancing, and it led me to acting. It helps with fighting or whatever choreography in general.
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Sometimes it gets a little too bubblegum for me, but what I do love about KPop videos is their attention to detail, and their choreography and dancing are always spot-on.
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I've always been athletic and a dancer, so I love doing fight choreography.
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You may be wondering why I went from over there to over here. Well, that was choreography.
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I wanted to show that 'I'm sexy'. I wanted to do things that other male solo artists hadn't done before, such as choreography that has a tempting allure.
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Even if you perform with a great choreography, or a part of a great group, I believe you can’t imitate people’s aura.
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I'm not going to say it's easy, but I do have an ease with picking up fight choreography because of my dance training.
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Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.
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The only choreography I have in my act is where I walk about ten feet, from stage right to stage left. Then I say, "You may be wondering why I went from over there to over here. Well, that was choreography.
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I have been doing choreography my whole life, and it's so important to make that marriage between music and the body.
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War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography, I would imagine it becomes more difficult.
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I've done a lot of Samurai film in Japan, and sometimes done the choreography by myself.
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Don't get confused; doing choreography in the ring can be done by anyone. I take the guy who works in the gas station on the corner, and I teach him a choreography for a week, and I swear he can do it in a ring.
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It's weird when you see pieces of choreography that were done for you 15 or 20 years ago and now they are being done by another dance company.
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speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was uh, an exceptionally talented group. They all moved well and they sort of established Cholly Atkins's style. In other words they basically put me on the map, and everybody would look at them and see their choreography and they wanted to know who did it, so they would tell them.
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I kind of lost interest in the classical dance. I was very much interested in the modern choreography.
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Good choreography fuses eye, ear and mind.
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If I hear an amazing piece of music, I can't help but think of ideas, choreography, and everything that comes along with it.
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I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.
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I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel.
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I realize that once I stopped fighting the technical process of how to move my body, I made it choreography.
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At the beginning, ballet accounted for at least two hours out of six hours of my daily training session. Later I devoted less time to ballet, but every workout of mine included training in choreography.
