Picture Quotes
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Buffering is that time you spend waiting for the pixels of your life to crystallize into a clearer picture; it's a time of reflection, a time of pause, a time for regaining your composure or readjusting your course.We all have a limited amount of mental and emotional bandwidth, and she of life's episodes take a long time to fully load.
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Most novices picture themselves as masters - and are content with the picture. This is why there are so few masters.
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My whole life had been spent waiting for an epiphany, a manifestation of God's presence, the kind of transcendent, magical experience that lets you see your place in the big picture. And that is what I had with my first [compost] heap.
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I've never made any picture, good or bad, without paying for it in emotional turmoil.
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I have a pretty clear picture of the whole weight of my life, and there are things that I've done that are good, and I'm proud of them. There are things that I'm really not proud of, and that they, you have to look at me with a perspective, and I try really hard to do that, to keep from thinking I'm cool and ever so smart.
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In nature, light creates the color. In the picture, color creates the light.
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The first half of the 20th century belongs to Picasso, and the second half is about photography. They said digital would kill photography because everyone can do it, but they said that about the box brownie in 1885 when it came out. It makes photography interesting because everyone thinks they can take a picture.
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Every picture I make, every experience of my private life, every lesson I learn are the keys to my future. And I have faith in it.
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I hate having my picture taken.
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Beauty and the Beast became the first animated feature ever nominated for best picture.
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One of the annoying things about believing in free will and individual responsibility is the difficulty of finding somebody to blame your problems on. And when you do find somebody, it's remarkable how often his picture turns up on your driver's license.
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When you boil war down or all conflict down to two people, it's a great advert for humanity sometimes. People can find connections with each other, regardless of the bigger picture.
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I work really hard at trying to see the big picture and not getting stuck in ego. I believe we're all put on this planet for a purpose, and we all have a different purpose... When you connect with that love and that compassion, that's when everything unfolds.
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If I say 'Find me an interesting painting' to Google, someday a robot could go around the Picasso museum and take a picture for me.
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I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
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My best days do seem like a distillation of all that was best about school. Write a story! Paint a picture! Write a poem! Make a print!
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My anxiety comes from people watching me more and knowing more about me. But the feeling of entering a room where you don’t know anyone but you feel like everyone’s talking about you, that alone is. It’s like getting on a train and not knowing if someone’s trying to take a sneaky picture.
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I do find it strange, doing magazine shoots. Photographers always go, 'Why don't you like to have your picture taken? That's what you do for a living anyway. Just pretend you're acting. It's the same thing!'
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I really chess-play culture shifts. I'm really good at understanding what worldwide cell-phone use means. That's what I do. I try to picture it three to four to five steps ahead.
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A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.
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More than conventional picture books, the notebook format allows me to leap from words to images, and this free-flowing back-and-forth inspires my best work. It reflects the way I think - sometimes visually, sometimes verbally - with the pictures not there just to illustrate the text but to replace it, to tell their own story.
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Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
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When I read something, I picture that scene in that detail. That becomes very similar to composing a photo in real life.
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I have this nightmare that one day I will have to look at every picture I've ever taken with people in an airport or in bars or restaurants, and it will make me very sad.
