Picture Quotes
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A picture excites the love of parenting that comes through meditation on a child.
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The thing that I've run up against is that it's always been an either-or proposition, especially in Hollywood. You're either young and glamorous and you're going to get the lead and get the man at the end of the picture, or it's the opposite: you're a character actress, you're not attractive enough for the other role, and so you're playing the friend or the killer or the lesbian or the doctor or whatever.
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Read enough about the dung beetle, and a picture of its character emerges: patient, optimistic, uncomplaining.
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Edward Snowden has inspired changes and awareness, which is very important in this day and age, and sometimes egos need to be set aside, even with powerful people, and we need to look at the full picture.
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...a photographer must be aware of and concerned about the words that accompany a picture. These words should be considered as carefully as the lighting, exposure and composition of the photograph.
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It's funny: your happiness is contingent on a bigger picture besides just yourself.
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When you begin a picture you often make some pretty discoveries. You must be on guard against these. Destroy the thing, do it over several times. In each destroying of a beautiful discovery, the artist does not really suppress it, but rather condenses it, makes it more substantial. What comes out in the end is the result of discarded finds. Otherwise you become your own connoisseur.
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There are people who like photography; there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.
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There are certain times I don't want my picture taken. If my wife's stepping out of a car and it looks like it's going to come out an indecent picture, don't I have a right to object?
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It did occur to me that certainly African-Americans are not underserved in picture books, but those books are almost all about specifically black experiences.
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You can certainly draw a picture of 2016 which makes it look like the 1930s, which, of course, is what everyone is doing.
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I think a melody is a melody. And the way I usually start is I start writing my themes without even writing to picture to just try to find the tone for the movie or the TV show.
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While primarily a photographer, I do not see or think photographically; hence the story of Indian life will not be told in microscopic detail, but rather will be presented as a broad and luminous picture.
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I think what makes a picture is a moment that is completely spontaneous and natural and unaffected by the photographer.
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Bad Influence, which is an early movie of mine that I'm very fond of. It was an unhappy experience when that picture got released, because it coincided with that ridiculous Rob Lowe videotape scandal.
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Eloquence is a painting of thought; and thus those who, after having painted it, add something more, make a picture instead of a portrait.
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For you to be able to take a picture of yourself that you feel good enough about to share with the world - I think that's a great thing.
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One of the aphorisms occurred to me now and I wrote it under the picture: "Fate and temperament are two words for one and the same concept." That was clear to me now.
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Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.
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I believe that the motion picture is destined to revolutionize our educational system and that in a few years it will supplant largely, if not entirely, the use of textbooks.
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If you're not mentally tough, If nerves undo you instead of focus you, If you don't have the inner arrogance That you absolutely have what it takes to win, If you don't see, in your mind's eye, A picture of yourself winning - then you won't win; And not because you can't.
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We were jigsawed, meant to fit together, making a whole picture.
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If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
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When I was little there was a picture in one of our books, a dark place into which a single weak ray of light came slanting upon two faces lifted out of the shadow.
