Picture Quotes
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Natalie's estate is handled by Global Icons, and they police the world so her picture isn't on a T-shirt or coffee cup unless we approve of it.
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What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.
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Sometimes two people could look at the same picture and see different images. Position determines perspective.
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I'd be absolutely happy to go back and make a smaller picture. I never want my choices to be dictated by budget. That's one of the reasons why I take so much pride in being able to make films for $2 and a paper clip - because I can always get my hands on $2 and a paper clip. I never have to ask for permission for that.
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There are people who like photography; there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.
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We all expect photographs to be a picture of something. We assume that the photographer observed a place, a person, an event in the world, and wants to record it, point at it…The problem with my work is that these images are really not of anything in that sense, they register only that which is incidental and peripheral to the implied it.
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No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition.
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My dad was always genuine with the fans and said, 'You must appreciate every single one of them,' and I always did. I always tried to make time for every autograph or every picture. What's an autograph? It's the simplest thing in the world.
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No picture is made to endure nor to live with but it is made to sell and sell quickly with usura, sin against nature, is thy bread ever more of stale rags is thy bread dry as paper.
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As soon as I stopped trying to control everything that came out of my mouth and every picture that came out, that's when I became so much happier.
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Put the picture away or, preferably, send it back to me, dear Valentin. If people cannot understand it is based on their inner engagement with these matters, then there is no point in showing the thing at all.
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If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors.
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You don't have to do the picture, you have to do the autograph, but it's important to take that moment to make a human connection.
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Egypt, the Egypt of antiquity, at a later time, exercised a mysterious fascination over me. I recognized a picture of it immediately, without hesitation and astonishment, in an illustrated magazine.
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Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
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I think a melody is a melody. And the way I usually start is I start writing my themes without even writing to picture to just try to find the tone for the movie or the TV show.
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I have tried to answer the question which sent me to Samoa: Are the disturbances which vex our adolescents due to the nature of adolescence itself or to the civilization? Under different conditions does adolescence present a different picture?
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There are certain times I don't want my picture taken. If my wife's stepping out of a car and it looks like it's going to come out an indecent picture, don't I have a right to object?
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Constant success shows us but one side of the world; adversity brings out the reverse of the picture.
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Television played its part, too. It exalted the picture and depreciated the word. The "talking head" was considered dull television and to be avoided whenever possible in favor of something, anything, moving, though a head that talks well is a pearl beyond price.
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A picture lives by its legend - not by anything else.
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One of my main decisions when accepting the job of Children's Laureate was that I must continue working on picture books. If I don't write and illustrate for some time, then I begin to question who I am.
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It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear.
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I am often asked which picture is my favorite. This is like asking a mother which child she likes the most.
