Hair Quotes
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'Southland' is very real; it's not about who found the hair in the bed. There are procedural aspects to it, but it's not about that.
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I also said, men are like curling irons, they never get out of your hair. And they are like government bonds, they take so long to mature.
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My hair has been mocked a lot.
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I practically lived in the woods when I was a kid, avoiding grown-ups and my dysfunctional family, pretending I was half-wolf, a feral child who napped in nests made out of ferns, ate wild blueberries, and wove sticks and feathers into her hair.
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I'm a multidimensional person and that's the freedom of fashion: that you're able to reinvent yourself through how you dress and how you cut your hair or whatever.
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I'm never happy with my face, my hair, I haven't really got any boobs and I'm not really that tall.
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Every time I see you, all the rays of the sun Are streaming through the waves in your hair And every star in the sky is taking aim at your eyes Like a spotlight.
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I like having my hair and face done, but I'm not going to lose weight because someone tells me to. I make music to be a musician not to be on the cover of Playboy.
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I have no detectable hair style.
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There would be no hair growing business today had I not started it.
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I'm always so impressed with these actresses with their perfect make up and hair and sometimes I'm very aware that I'm not like that. But I don't think I can do things any other way. I would be wearing a disguise if I started to apply that stuff.
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When I moved to L.A., I had somebody go, 'Alright. Fix your hair. Wear this.' Like, changed my look a little bit. I kind of came into myself a little better when I moved to L.A.
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I think anytime with your mom, whether she's famous or not, you're watching what she's doing when you're growing up. She also taught me the basics: Make sure you use a good moisturizing shampoo and conditioner, and then use a detangler to comb through your hair. And don't overdo the heat styling.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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I've still got a brilliant head of hair, which refuses to lay down.
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There are a lot of people who do a lot of things to be outrageous with fashion, hair or makeup.
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Children change you. You have this overwhelming feeling of responsibility, of love - they're everything. They're yours. You know when you're cuddling them, cradling them, and you can smell their hair. I love that.
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Dolls fire our collective imagination, for better and - too often - for worse. From life-size dolls the same height as the little girls who carry them, to dolls whose long hair can 'grow' longer, to Barbie and her fashionable sisters, dolls do double duty as child's play and the focus of adult art and adult fear.
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The first important movie that I did, I shaved my head for the movie. When the hair grew back, I had white hair for the first time in my life.
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I never wash my hair the night before an event - I call it second day hair, and it holds better.
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It's one thing to evaluate a woman's work. it's another thing to say, 'Your hair was this; your makeup was that.'
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I've always had the hair of Lionel Ritchie since I was a boy, but the mullet sadly is a hairpiece. My wife won't let me rock that hairstyle.
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I always use dry shampoo, even if my hair isn't oily. It gives me so much texture and that bedhead vibe.
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From the drawing-room window I see pass almost daily an old gentleman with white hair, a firm step, broad shoulders, healthy pink skin, a sunny smile - always singing to himself as he goes - a happy, rosy-cheeked old fellow, with a rosy-cheeked mind I should like to throw mud at him.
