Up Quotes
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I've ended up working with Disney a lot, which is kind of peculiar. In theater, I've done a couple of projects with them and written a couple movies and whatnot.
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I think finales are always so hit or miss because they're so personal. When you do a finale, it's always up to the person watching it.
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It would be sad if the expertise built up during the 40 years of the U.S. and Russian manned programmes were allowed to dissipate. But abandoning the shuttle, and committing to new launch vehicles and propulsion systems, is actually a prerequisite for a vibrant manned programme.
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When people say, 'You seem so grounded; you seem so normal,' I think it's the way I was raised and the way my sister and I were brought up by our parents.
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Growing up, my mates and I would have rather been Sid Vicious or members of the Royal Family.
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You can't put a load of rockstars up on a stage and expect to wipe out global poverty. That's ludicrous.
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The building in the Bronx where I grew up was filled with mostly Holocaust survivors. My two best friends' parents both survived the camps. Everyone in my grandparents' building had tattoos. I'd go shopping with my grandparents, and the butcher, the baker, everybody in the whole neighborhood had tattoos.
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Writers have to put up with this editor thing; it is ageless and eternal and wrong.
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I grew up in a very strict Pentecostal household.
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Most theorists suspect that space has an intricate structure - that it is 'grainy' - but that this structure is on a much finer scale than any known subatomic particle. The structure could be of an exotic kind: extra dimensions, over and above the three that we are used to (up and down, backward and forward, left and right).
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I suppose I've been very fortunate in terms of my longevity and my voice and the way it has held up over the years. I hope to be able to keep on doing what I'm doing until I can't do it anymore.
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Wouldn't it be great if we all grew up to be what we wanted to be? The world would be full of nurses, firemen, and ballerinas.
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Like many other people of my generation, I don't think I ever really bothered to grow up. I wasn't ever really a proper teenager until I was about 19, and maybe I got a bit stuck there, because it seemed to go on and on.
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It is true that too many people are not getting a fair opportunity to get ahead. We must find ways to help them move up the economic ladder, and everyone - business, government, and nonprofits - needs to play a role.
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I'm a third-culture child. It's an interesting concept. Having an American father, a South American mother, born in England, grew up in Hong Kong, went to school in Europe - it makes me a third-culture child, which means you take on the culture of the place where you live. So I'm very adaptable.
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I am sure that university life would be better, both intellectually and morally, if most university students had temporary childless marriages. This would afford a solution to the sexual urge neither restless nor surreptitious, neither mercenary nor casual, and of such a nature that it need not take up time which ought to be given to work.
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When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
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I grew up in Queens, and part of my birthday gift, always, was a Saturday matinee of whatever hit musical there was. When I was three, I saw 'Oliver!'.
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The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.
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I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide.
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Dennis Hutch had stepped up into the top seat when its founder had died of a lethal overdose of brick wall, taken while under the influence of a Ferrari and a bottle of tequila.
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The only reason I got into stand-up was because my brother told me to. I had no idea what I was going to do with my life. I was 17 and my brother went to a comedy club and he said - you can do that.
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There is no reason why a guitar player makes the guitar-playing faces. It doesn't help you play guitar. You've not improved your skills. It's because you're up onstage, and the natural inclination is to put on a show. The rock guy faces are just as much of a front or a show as us wearing crazy makeup. It's just a different scale.
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My family supported me. I wasn't hot-housed at all as a young child; I didn't go to any kind of gifted school. They didn't exist in the very poor parts of England when I grew up in the 1980s. I had a great time to learn, had access to libraries and teachers who were patient and enthusiastic when I showed ability in some subjects.
