Readers Quotes
-
I don't want to write for adults. I want to write for readers who can perform miracles. Only children perform miracles when they read.
Astrid Lindgren
-
Among the letters my readers write me, there is a certain category which is continuously growing, and which I see as a symptom of the increasing intellectualization of the relationship between readers and literature.
Hermann Hesse
-
The problem comes when readers take these two accounts and combine them into one overarching account, in which Jesus says, does, and experiences everything narrated in both Gospels. When that is done, the messages of both Mark and Luke get completely lost and glossed over. Jesus is no longer in deep agony, as in Mark (since he is confident as in Luke), and he is no longer calm and in control as in Luke (since he is in despair as in Mark). He is somehow all things at once. Also
Bart Ehrman
-
Now I realize, of course, that many readers will acknowledge that we do in fact have these reactions, but would nevertheless write them off as mere reactions. “Our tendency to find something personally disgusting,” they will sniff, “doesn’t show that there is anything objectively wrong with it.” This is the sort of stupidity-masquerading-as-insight that absolutely pervades modern intellectual life, and it has the same source as so many other contemporary intellectual pathologies: the abandonment of the classical realism of the great Greek and Scholastic philosophers, and especially of Aristotle’s doctrine of the four causes.
Edward Feser
-
I do care about the consequences of being negative toward people who are powerful. But I'm more afraid of not being taken seriously as a critic - by editors, by readers.
Dan Chiasson
-
Because the majority of my readers are women, I feel that one public service I can provide to them is to spread the message of regular mammograms and early detection within the strip.
Cathy Guisewite
-
On the wings of fancy, gentle readers, bear yourselves into the mid-air, where by imagination you may form a large stupendous castle.
Sarah Fielding
-
I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. There are plenty of examples. I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. I went to bed in great excitement and in the morning I woke up and the gifts were there, but no one had seen the Befana. True miracles are the ones whose makers will never be known; they are the very small miracles of the secret spirits of the home or the great miracles that leave us truly astonished. I still have this childish wish for marvels, large or small, I still believe in them.
Elena Ferrante
-
People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story.
Len Wein
-
Just as the historian can teach no real history until he has cured his readers of the romantic delusion that the greatness of a queen consists in her being a pretty woman and having her head cut off, so the playwright of the first order can do nothing with his audience until he has cured them of looking at the stage through the keyhole, and sniffing round the theatre as prurient people sniff round the divorce court.
George Bernard Shaw
-
It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.
Wilfrid Sheed
-
We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.
Eleanor Brown
-
Designers provide ways into—and out of—the flood of words by breaking up text into pieces and offering shortcuts and alternate routes through masses of information. lthough many books define the purpose of typography as enhancing the readability of the written word, one of design’s most humane functions is, in actuality, to help readers avoid reading.
Ellen Lupton
-
Perhaps I had better inform my Protestant readers that the famous Dogma of Papal Infallibility is by far the most modest pretension of the kind in existence. Compared with our infallible democracies, our infallible medical councils, our infallible astronomers, our infallible judges, and our infallible parliaments, the Pope is on his knees in the dust confessing his ignorance before the throne of God, asking only that as to certain historical matters on which he has clearly more sources of information open to him than anyone else his decision shall be taken as final.
George Bernard Shaw
-
I think these stories humanize celebrities and make our readers feel so much better because they can see that celebrities aren't perfect. Not even they have a professional hair person and full-blown body makeup every day.
Bonnie Fuller
-
Great readers, great listeners, and all have great work ethics. ... They work hard at what they do and they're devout to their reading and listening.
Andy Wilkinson