Readers Quotes
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I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. There are plenty of examples. I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. I went to bed in great excitement and in the morning I woke up and the gifts were there, but no one had seen the Befana. True miracles are the ones whose makers will never be known; they are the very small miracles of the secret spirits of the home or the great miracles that leave us truly astonished. I still have this childish wish for marvels, large or small, I still believe in them.
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Perhaps I had better inform my Protestant readers that the famous Dogma of Papal Infallibility is by far the most modest pretension of the kind in existence. Compared with our infallible democracies, our infallible medical councils, our infallible astronomers, our infallible judges, and our infallible parliaments, the Pope is on his knees in the dust confessing his ignorance before the throne of God, asking only that as to certain historical matters on which he has clearly more sources of information open to him than anyone else his decision shall be taken as final.
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We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.
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On the wings of fancy, gentle readers, bear yourselves into the mid-air, where by imagination you may form a large stupendous castle.
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Not all readers are leaders, but all leaders are readers.
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Critics have a problem with sentimentality. Readers do not. I write for readers.
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The kids who speak well, are articulate and intelligent, are all readers.
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I think these stories humanize celebrities and make our readers feel so much better because they can see that celebrities aren't perfect. Not even they have a professional hair person and full-blown body makeup every day.
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The unadmitted reason why traditional readers are hostile to e-books is that we still hold the superstitious idea that a book is like a soul, and that every soul should have its own body.
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Don't write your books for people who won't like them. Give yourself wholly to the kind of book you want to write, and don't try to please readers who like something different.
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The idea of harnessing the intelligence of the readership has been lost in the quest for Facebook likes. For many, readers have become synonymous with hateful commenters. It's time for a renewed push to realize some of the original dreams of the web. Read more at https://www.brainyquote.com/authors/nick-denton-quotes
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Thus it is a very serious lapse in scholarly competence and/or intellectual integrity for someone like Dawkins, an Oxford don who sees fit to pour scorn on the scholarly acumen and intellectual honesty of others, to treat the Five Ways as if they constituted Aquinas’s complete case for God’s existence, to ignore Aquinas’s responses to various objections, and to tell his readers that Aquinas gives “absolutely no reason” for certain claims that, as I have said, he actually devotes many hundreds of pages to defending.
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You’d be surprised how many like-minded readers there are online no matter what musical subject you choose to tackle.
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It is hard news that catches readers. Features hold them.
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I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.
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The majority of critical, and plenty of uncritical, readers find quotations a bore.
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I think, above all, the characters in my novels feel universal to the readers.
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Eve Byron has a permanent place on my must-buy list. Her characters are three-dimensional men and women who live on in readers' hearts long after they've turned the last page. ONLY IN MY DREAMS is pure Eve Byron, which means it's a pure delight. I fell in love with Lorelei and Dane, two of the most delightful characters I've encountered in a very long time. Byron's magical touch never falters. ONLY IN MY DREAMS is a surefire hit!
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I have a great deal of sympathy for reluctant readers because I was one. I would do anything to avoid reading. In my case, it wasn't until I was 13 and discovered the 'Lord of the Rings' that I learned to love reading.
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I hope that the kind reader recognises this as a despairing attempt at humour.
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Although many books define the purpose of typography as enhancing the readability of the written word, one of design's most humane functions is in actuality, to help readers avoid reading.
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I really want readers to put themselves into the shoes of each character. So the opening lines are an orienting technique: this is where you are, this is who you are. Go.
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Many people have complained that Imagined Communities is a difficult book and especially difficult to translate. The accusation is partly true. But a great deal of the difficulty lies not in the realm of ideas, but in its original polemical stance and its intended audience: the UK intelligentsia. This is why the book contains so many quotations from and allusions to, English poetry, essays, histories, legends, etc., that do not have to be explained to English readers, but which are likely to be unfamiliar to others.
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All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
