Radiohead Quotes
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I am all the days that you choose to ignore.
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Do you think Radiohead is my whole goddamn life? I also have a roadside cart where I sell apples and mincemeat pies.
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If I weren't in Radiohead I'd be working at a grocery store, I'd be that creepy guy who lives in an efficiency apartment and collects salted, cured meats.
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If Radiohead were a fruit we would be apples, because apples are festive
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I see fat kids on the street all the time and I give them free radiohead t-shirts with bullseyes on them. Later when I see them wearing the t-shirts I shoot at them with bb guns while riding a very large dog and singing kicking squealing gucci little piggy over and over
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Most Radiohead songs are actually REM songs, I just have a mentally ill child read the lyrics aloud and then I change the melodies a bit.
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I'll name check Radiohead on this--they've done a pretty suave marketing plan on this new record. I think generally it's been a pretty cool thing, but what they've done is used those (sales) numbers in a way that they can spin them anyway they want cause you don't know what they are.
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Have you ever seen any member of radiohead aside from me in public? Do they interact or 'lift' objects? Holograms, all of them. I created them in 1991 using my massive brainpower. Even pitchforkmedia is a product of my brilliant imagination.
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Yeah, I've mellowed, but not in the sense of liking Radiohead or Coldplay . I don't hate them, I don't wish they had accidents. I think their fans are boring and ugly and don't look like they're having a good time.
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When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
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I just think Radiohead are f-in' miserable bastards.
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I'm a creep, I'm a weirdo. What the hell am I doing here? I don't belong here.
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Radiohead is overrated. Thom Yorke's solo output, however, is brilliant.
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Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.
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I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extraordinarily eloquent music.
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I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
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I ultimately decided that I couldn't beat it more than three times a day, (I) was just too drained and chapped. That's what Radiohead is about. You're just drained and chapped, down there.
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The only thing worse than Radiohead fans is everything else except me
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Making music for Radiohead is like going to the bathroom, I'm just going to the bathroom constantly, and millions are watching me go to the bathroom.
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I really want to work on a record of mine and I'm just getting inspiration from different sources like one of my favourite bands, Led Zeppelin, and Radiohead.
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The hardest part about being in Radiohead is listening to my own music.
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My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.
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The Radiohead record, 'The Bends' is my all-time favorite record on the planet.
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If Murakami's novels are grand enigmas, his stories are bite-sized conundrums. (...) The great pleasure of the new story collection, Blind Willow, Sleeping Woman, is watching Murakami come at his obsessions from so many different angles. There's a panoply of strangeness between these covers (.....) This collection shows Murakami at his dynamic, organic best. As a chronicler of contemporary alienation, a writer for the Radiohead age, he shows how taut and thin our routines have become, how ill-equipped we are to contend with the forces that threaten to disrupt us.
