Films Quotes
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Make films. And don't listen to anybody, except those who tell you "yes" and who are ready to help you.
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I'm not in the business of saying just one thing about just one place. If you only see Palestine in my films, then I've failed because then I'm just a provincial filmmaker.
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Palestine is an extremely familiar place to me. Someone like me who lives everywhere in the world cannot be contained. If my hope and ambitions are in the right place, you can judge that in my films. I want to make films that diffuse any local notion. Cinema criss-crosses borders and check points. If the film is good, then it's universal.
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I feel like I had to learn how to take care of myself and find out what made me happy aside from just making films.
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I said if I made 10 films in my life, I would be very lucky. That's how I meant it. My fear after my first one was whether they would let me make another one, so I had this goal in my head.
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For any director with a little lucidity, masterpieces are films that come to you by accident.
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Films always make everyone else rich save the author.
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My acting is a bit like basketball. Most females in my films come off very well. I give great assist. And if I'm lucky, I even score.
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Today films are made to cater to commercial markets created by multiplexes, not for those who enjoy good cinema.
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I love film; I'd love to do as many films as possible.
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I was lucky that I was getting exposed to a lot of different kinds of films, and I was liking them all. So it seemed logical to me that you could - as in the style of the studio directors of the 30s and 40s - jump from one genre to the next, with the same satisfaction.
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Television has dried up for my generation, so its plays and films.
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Without romance, films will be boring. I doubt if people now understand romance, though they may claim it otherwise. I am very romantic in real life.
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When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.
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People who make films don't think they have any obligation to help bring (perpetrators) to justice. They are only interested in art, not in justice.
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Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
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The problem with working with a record label is they maybe a song I want to make a video for that they will refuse to make a video for because they don't see that song as a single. And I found that very frustrating. I realised what I was doing was making these short films for the blind. They were films and all you had to do was put some headphones on and close your eyes and listen to my voice and you'd be able to visualise the images that I'm putting into your brain. And so I started calling what I was doing 'films for the blind'.
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For me, my realism has stood me over 15 years, so the kind of films that I have done has garnered enough respect for me to be able to survive the industry.
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I love watching foreign films on my projector at home along with my closely knit group of friends and family. I also love to dissect movies and discuss them with my friends who are movie buffs.
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I will always come back to do Australian films. I think it matters. I think we can make films that people go and see. And I don't think it's too much to ask that films in this country make a profit and that we embrace them.
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I collect all the reviews of the films I turned down. And when they're bad - I have to smile.
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Who says that big-budget films are safer than mid-range films? In terms of return on investment, I'd rather have 'Sling Blade' and 'Shine' than 'Volcano.'
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I turned down plenty of films which proved to be hugely successful. And, of course, I've also had plenty of experiences where everyone thought we were doing brilliant work and it ended up pretty horrific. Same as any actor, really.
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I never wanted to be anything special. I just wanted to make films.