Films Quotes
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I love rom-coms. Any will do. Films such as 'How to Lose a Guy in 10 Days' or 'Funny Face' with Audrey Hepburn.
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I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.
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I'm not making films for middle aged journalists, who are mostly men. I make films that hopefully entertain people, where they can learn something about life.
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I think a lot about the editing of the films when we're making them, partly because I studied that, and partly because if you think about being in love while you're supposed to be acting in love, there's nowhere to go. You have to focus on something else and then do what's being asked, and you might get some semblance of something interesting.
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Films are my life; I don't think there is anything that I would not do for the sake of the movie.
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Initially, my father opposed the idea of joining films and did not want me to move out, but now I'm closest to him and have his full support.
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I've done some wonderful performance on TV even better than films. But once people watch it, they just forget it. The impact is not strong. So, films and TV are different.
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There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material.
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You can think of my films as cautionary tales, but you might even think of them as despairing tales, because at least in a cautionary tale, you have this idea that by listening to the story you can assure a better outcome. Whereas I'm not at all convinced that's the case. In fact, if anything, I'm convinced that it's the opposite.
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I am not saying that I won't do big commercial films.
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Every actor has a production company already. It's just a matter of producing your own films under the label of your own production company.
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The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
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Most of my films have been very character driven.
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That's what a powerful story does. It creates a more intense experience of life for you to watch. That's what a good film does for me, anyway. That process, I enjoy. It just makes for entertaining characters and entertaining films.
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As much as I have films and all that sort of stuff, a lot of my memories are to do with relationships and love.
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I had more fun making Traffic than either of the Ocean's films.
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You look back on films sometimes and if they have not been as all-out successful as you anticipated you try to find reasons why maybe it didn't come off for audiences as well as you would have liked.
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I find a lot of swearing in films. And I guess that shows my age. But I also feel that where they say those words, they could just as easily have written other words.
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I feel that I've been very fortunate in the films that I have gotten and that I've chosen to do.
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I was the kid that grew up watching Bette Davis films.
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I can't dance like Hrithik Roshan. I don't have the necessary glamour like some of the other actors do. They are able to sell themselves on that aspect. I do roles and films which are very realistic. So, in those films, if you don't get into the skin of it, they won't look convincing.
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People make great films. I just don't have the eyes to watch them.
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I am very choosy about my films. I don't do a film just for the sake of money.