Films Quotes
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When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
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I am married to the theater, and the films are only my mistress.
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I do endorse brands: brands that I believe in individually, brands that I use, brands that I am proud to sell. But I wouldn't do that for my films because that's something I do separately. What I do with my films is something I am extremely passionate about.
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All of my films have been autobiographical - it's all I've got to go on.
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Every day I spend in Hollywood, I start to realize how many films are made with no heart and no love. They just do it for the paycheck, and I cannot imagine making a film that way.
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I didn't want to make teenage comedies, and I didn't want to make really trashy films. I wanted to make films that were a bit challenging.
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I loved DreamWorks and Pixar, and I still love kids' films.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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I am my biggest critic. Even in films where people said they liked me, I have disliked myself.
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I interned at Miramax and subsequently at Paramount because I was really curious about the future of entertainment - how were we going to get films online? While the inspiration for Box didn't come from that experience directly, it was very obvious that bigger businesses had a lot of slow processes and cumbersome technology.
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I love doing short films because they're much more intimate and there's far less waiting around than on the bigger films.
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I love the early films of Al Pacino - 'Scarface,' 'Serpico' - and I love many science-fiction films.
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I like to do all kinds of films.
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One of the things about the '70s films I love - the films 'Nightcrawler' is being compared to, like, 'Taxi Driver' - is that they never put their flawed characters into any one box.
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It grossed something like 12 million dollars and started a cycle of so-called boy-meets-ghoul horror films.
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I got a lot of offers after 'Rockstar' but was totally dependent on the team managing my work, who did not want me to sign any of the films I was offered, even though I wanted to.
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I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
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I love working with a lot of different films and a lot of different people.
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I'm a huge fan of Greta Gerwig, and working with her was also a dream come true. She was one of those directors who, when people asked me, 'Who do you wanna work with one day?' I'd say Greta Gerwig. I've always been a fan of mumblecore and her films, and so to work with her was just so much fun.
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I grew up in Europe, and I used to like those very slow-moving European films. I've been contaminated by the American TV culture, and I just want things to move faster now.
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What Bollywood lacks is scripts. A lot of the films are copies of western films.
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I support all Australian films.
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I do not watch horror films. At all. I am not a horror film girl; I don't have the stomach for it. I've seen a few in my lifetime, like 'The Shining' or 'Carrie,' but I can't sleep for, like, a week after I see something like that.
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I'm hooked on Polanski's films, his psychological thrillers. I love 'Rosemary's Baby,' I love 'Repulsion.'
