People Quotes
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When two human beings get together, they're co-present, there is built into it a certain responsibility we have for each other, and when people are co-present in family relationships and other relationships, that responsibility is there. You can't just turn off a person. On the Internet, you can.
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You used to have to beg and be the busboy to do standup. I got on Community because people saw my videos on YouTube, which were free.
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I think we're realizing that gay people are able to do the type of comedy that we just assumed was for straight people over the years. Whatever old boundaries there were, which were very real and still have an effect on us, in the way we socialize, I think that's slowly becoming less important.
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I don't really get hate mail, which surprises me, but people have better things to do than to write hate mail to somebody who writes a book about hating everything, I guess.
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The only way you can really deal with creative people is with very loose reins.
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I want people to be happy.
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Our military doesn't defend our American people. Our military is the strong-arm muscle of corporations.
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I hope more people will ask diamond companies to continue changing the way they do business in Africa.
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I think more of the little kids from a school in a little village in Niger who get teaching two hours a day, sharing one chair for three of them, and who are very keen to get an education. I have them in my mind all the time. Because I think they need even more help than the people in Athens.
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I find painting a much slower process than comedy, where you can go a mile a minute verbally and hope to God that some of the people out there understand you. I don't paint every day. I'm not that motivated.
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Yonkers made me strong and made me believe in myself, because so many people would doubt you and not believe. There are people that would believe in you, but the environment was so harsh, nobody wanted you to get out, you know?
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If I can, in any way, give people the courage to say, 'Actually, no, the nonsense stops right here,' then I want to be a part of doing that. Especially if that means that our folks will be more free.
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If people go into music with the idea of competing with other artists, then they're doing it for all the wrong reasons.
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I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.
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If you want to write about people, you can make it up. But if you spend time talking to someone and examining what it is you want to write about, you discover a level of detail that you wouldn't have noticed otherwise.
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I want to suggest a feeling. It's ridiculous to assume you can state an opinion. Somebody else can never relate to the lyric in the same way because their whole experience is different. You can only suggest, then people add their own history and experience to the lyrics.
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My Kashubian family, like the Jews, are people who were born and live in border areas and were suspected by the Nazis and by the Communists of being disloyal.
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For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
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I like people who can and like to make fun of themselves!
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I've found I can plunge the characters into whatever absurd, awful situation, and readers will follow as long as the writer makes them seem like 'real people.'
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We all press buttons in relationships, in our dealings with people, without thinking what it really means. We all knock along without questioning what kind of situation we're in. We may often be in a very good one, but we don't even appreciate the good situations. We're lazy. Or we're scared. Or we just don't notice.
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First I was a European-style player, then I was a downtown 'noise guy,' and now some people call me an Americana guy.
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I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
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I find the violence in PG13 movies unbearable. This kid will never run home, never have another birthday. His death is slow, nightmarish. And you have to explore the consequences - the people who live on with this death.
