Action Quotes
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All action takes place, so to speak, in a kind of twilight, which like a fog or moonlight, often tends to make things seem grotesque and larger than they really are.
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I'm a tomboy at the end of the day, so anything that causes me to have to run around, fight people, roll in the dirt, hop a fence - I'm all for it. So I really would love to do an action film.
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Usually action films have a formula: good guy gets in trouble, his wife dies, friends have problems, so he goes to the mountain, learns martial arts, comes back, and kills the bad guy.
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Everything's always got to be character-based. We know we can't, if we're sitting in the editing room, watch the sequence for more than 20 seconds without a character having a point of view or moving the action forward; my brain just shuts down, or I start thinking about my laundry.
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In the discharge of the duties of this office, there is one rule of action more important than all others. It consists in never doing anything that someone else can do for you.
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I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.
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I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
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I think we are challenged in how we define humanitarian action today and how we relate to long-term needs. We are also confronted with legitimate expectations from the people who want us to respond far more thoroughly to their basic pleas than we would have done in a much more contained form of conflict.
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I have always been haunted by the feeling that the painter has much to gain from making use of the forces that tend to work against his action
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I like to be in the now, now. Sometimes musicians have to wait for me to be genuine with it. As an actor, I don't have that luxury. You have to make it legit when they say 'action.'
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In those days 1955, affirmative action was for whites only. I might still be working for the grocery store in the small Texas town where I grew up were it not for affirmative action for Southern white boys.
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The action films I will make in the future will be more believable and character-based. I am now on my second cycle of fame, and I want to make films that smell real and are truthful.
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Once is happenstance. Twice is coincidence. Three times is enemy action.
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I used to be a fan of proportional representation, but I am not at all now I have seen it in action.
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I don't believe that a female character needs to surrender her femininity in order to be an action hero.
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Every Yom Kippur, Jewish tradition requires a strict spiritual inventory. You aren't supposed to just sit around feeling guilty, but to take action in the real world to set things right.
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I want to do horror and action, and I'm only being slightly facetious.
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I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
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Just as I am working hard to adjust to a new level, someone comes along and asks me to move up again. I'm not complaining about it; I just get on with trying to make sure I don't let anyone down. Training with England is just a different gravy again. Movement-wise, finishing-wise, you can learn such a lot from watching the very best in action.
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I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
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By far the most important form of attention we can give our loved ones is listening... True listening is love in action.
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It is vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it.
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One thing about television, it brings out personality. People are able to watch me in action. They hear my voice and see my eyes. There's nothing I can hide. That's me. Television brings out your flaws, your weaknesses, your strengths, and you truths. The audience either likes you or it doesn't.
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Self satisfaction alone cannot determine if a desire or action is positive or negative. The demarcation between a positive and a negative desire or action is not whether it gives you a immediate feeling of satisfaction, but whether it ultimately results in positive or negative consequences.
