Paris Quotes
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I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
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I attended private Catholic schools in Paris and Los Angeles through high school.
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I am happy in Paris.
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When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.
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I'd like to see Paris before I die... Philadelphia will do.
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I never go anywhere. I do sketches and make phone calls, and people visit. It's more fun to come to Paris.
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Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape.
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I have moved to a smaller house in Paris, and I don't fancy having so much staff now.
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The day I leave Paris is the day I go down a level or quit football.
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April in Paris, chestnuts in blossom, holiday tables under the trees.
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I went to Paris to learn and absorb some of the amazing ambience I was enamored with growing up in Kansas City. I didn't go there to start my own collection. But I never could get an internship, so finally, I was left with just doing my own show.
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Ultimately, I want to prepare food that will be recognized equally in Tokyo, London, and Paris. I am after that universality, that transcendence.
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I see Baccarat in major gateway cities like Paris, Tokyo, Shanghai and Hong Kong and exotic resort locations.
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(On Paris Hilton) Believe it or not, I sort of know her a little bit. And based on that, I'm here to tell you that she is actually.......um.....retarded!
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To-day, artists and those who love artists seem like fossils. Imagine a megatherium or a diplodocus stalking the streets of Paris! There you have the impression that we must make upon our contemporaries. Ours is an epoch of engineers and of manufacturers, not one of artists.
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I made the decision to come back to New York, quit my job and move to Paris.
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In Paris, where I live, the inner neighborhoods are only available to the white elite. The poor and dispossessed are shuffled out to suburbs and never seen.
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It is entirely legitimate for the American people to be deeply concerned when you’ve got a bunch of violent, vicious zealots who behead people or randomly shoot a bunch of folks in a deli in Paris.
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In Paris, I met a young American person who immediately became the primary inspiration which awakened my vision and the leading influence that had directed my forces. Throughout my career as an artist, I refer to this person by the word 'Woman.'
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Look at London or Paris: they're both filthy. You don't get that in Tokyo. The proud residents look after their city.
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I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
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When I lived in Paris in the early '80s, I had the occasion to hang out with Prince Albert of Monaco quite a few times.
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Tant pis and tant mieux, being two of the great hinges in French conversation, a stranger would do well to set himself right in the use of them before he gets to Paris.
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I translated an Emile Zola book, 'The Belly of Paris,' because I didn't find an existing translation that captured his sense of humor. Humor is the first victim of translation.
