Christian Louboutin Quotes
I'm a designer, and I think if you work in fashion, you have to give people fantasy.
Quotes to Explore
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I see no way out of the problems that organized religion and tribalism create other than humans just becoming more honest and fully aware of themselves.
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People want to see a movie that casts a mature woman across from a mature man.
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Fashion is something which is non-lasting; it's ephemeral.
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There is, hidden or flaunted, a sword between the sexes till an entire marriage reconciles them.
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I've been making music for a long time, since I was very young, but at the same time, I'm still exploring what works for me. I feel like I'm just starting out.
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We've made some good beginnings with the New START Treaty, but a lot more can be done.
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Your mind is what makes everything else work.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.
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I have Dalinian thought: the one thing the world will never have enough of is the outrageous.
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At any Maroon 5 concert, you'll see a room backstage marked 'yoga.'
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Nobody knows 100% what affects the human body, mind or spirit.
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My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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The journey matters as much as the goal.
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Life is something to do when you can't get to sleep.
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I think some people like me because I'm different. I don't think like everybody else. People are so tied up in the worst parts of technology these days. They live a life pressing buttons. They don't use their imaginations.
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My life is studded with a series of coincidences.
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My parents weren't extremely successful financially, but they were happy people. They gave me confidence.
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I was an electrician, and now I'm in 'Electric Dreams.' It's almost bizarre.
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When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art as a provocation. I think I am at my best when I push myself into a place where I don't have all the answers.
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I never work from an outline, and often I don't know how the story will end.
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People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.
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Gary Sinise and I go the furthest back of the Steppenwolf people; we were both saved from academic mediocrity as sophomores by being cast in 'West Side Story' by this transformationally beautiful teacher named Barbara Patterson.
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I'm a designer, and I think if you work in fashion, you have to give people fantasy.
