Christian Scott Quotes
New Orleans is a place where people are deliberately undereducated so that they can be a labour class - the economy there is tourism, and one of the only outlets that black males have traditionally been allowed is to play jazz music, y'know?
Quotes to Explore
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The rule of improvisation I took to heart was, 'Don't think.' I tend to over-think things, so that was a big lesson for me.
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I live in Derry, a little town in Ireland, and I don't have the background of Hollywood or Broadway.
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The one permanent emotion of the inferior man is fear - fear of the unknown, the complex, the inexplicable. What he wants above everything else is safety.
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I get breakfast when everyone else is on their lunch break. I usually go to Dimes, which is a short walk from my apartment. Usually, I'll have chia pudding or an acai bowl and toast and sausage.
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Strange, is it not, my brothers, how often in America those great watchwords of human energy - 'Be strong!' 'Know thyself!' 'Hitch your wagon to a star!' - how often these die away into dim whispers when we face these seething millions of black men? And yet do they not belong to them? Are they not their heritage as well as yours?
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No, but I'm really lucky, because I'm not the superhero.
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Renouncement: the heroism of mediocrity.
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Sometimes one creates a dynamic impression by saying something, and sometimes one creates as significant an impression by remaining silent.
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I had studied theater for three years in London when someone suggested me for the role.
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There isn't much in the way of pure communist spirit, because the whole nation seems to be engaged in capitalistic enterprises. Much of the country still operates under government control.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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I had my moments when I got very frightened that I would not recover.
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I'm an Indian-origin painter. I will remain so to my last breath.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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I cannot abide being bored.
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It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.
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Temperamentally I'm not a natural producer, because I don't have the patience.
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Working with Jack Albertson was one of my great joys.
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I like to create a simple space and surround myself with things that I like to look at.
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Being someone with Latin roots, so many doors are constantly closed for you because people put you in a category, and the thing I've always wanted to avoid is categorisation.
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People can be so neglectful of each other and of their own heritage - then death intrudes. Conversations we wish that we'd had earlier are had too late.
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When I started to recording, I gave the name of Honeyboy, but my people only knew me by Honey.
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You can wait your whole life for the right moment and it might never come, so I'm a big believer in making now the right moment.
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New Orleans is a place where people are deliberately undereducated so that they can be a labour class - the economy there is tourism, and one of the only outlets that black males have traditionally been allowed is to play jazz music, y'know?
