Kenneth Tynan Quotes
If a play does anything either tragically or comically satirically or farcically - to explain to me why I am alive, it is a good play. If it seems unaware that such questions exist, I tend to suspect that it's a bad one.
Quotes to Explore
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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It's hard for me to talk about Dom right now because I am Dom right now. So it's a really strange exercise to try to reflect on something that I am at the moment. But I guarantee you that when I'm done with the movie and you ask me that question, I'll be able to give you something insightful.
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Dear God! how beauty varies in nature and art. In a woman the flesh must be like marble; in a statue the marble must be like flesh.
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This country wants to laugh. We want to, and we need to. I'm happy to oblige.
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Man's nature is not essentially evil. Brute nature has been known to yield to the influence of love. You must never despair of human nature.
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We all serve a purpose. My purpose isn't to be rejected. My purpose isn't to think small or to be introverted. This door closed is literally pushing me to the next door.
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There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.
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I just wanted to rollerblade at Union Square.
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As a little kid, I climbed a lot of trees because I always loved the bird's-eye view.
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For singers, I believe we can sing in a lot of keys. I know I have this big range, but the point is to find a key that emotionally connects people.
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I have some of the old videos of my performances on it.
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I grew up in war and saw the United Nations help my country to recover and rebuild. That experience was a big part of what led me to pursue a career in public service. As Secretary-General, I am determined to see this organization deliver tangible, meaningful results that advance peace, development and human rights.
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When I was a kid, there was always food to be had on the street in Jerusalem, but anything above a falafel stand was mediocre or worse.
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There are all these scripts where the women, if they're working, are prostitutes and lawyers with an angry streak who'll kill you. It's a reaction to women leaving their men and men being angry about it and saying it on some subconscious level.
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I want to be the first person to laugh at myself. It makes other people feel at ease - we're all on an even playing field.
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Oh God, I'm awful at sports. In gym I just try and avoid getting hit in the face.
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For me, a child means an old-age insurance policy. I have a nurturing quality in me.
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I like new challenges and new experiences.
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It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway.
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I'd love to find a really good Brazilian project, an up and coming director or something. I wouldn't want to do the typical favela story, Brazilian cinema has a lot more to offer than just that.
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I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
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I don't know how much time passes with us just lying there, just feeling that the other is really there, really true, really alive, feeling the safety of him, his weight against mine, the roughness of his fingers touching my face, his warmth and his smell and the dustiness of his clothes, and we barely speak...
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From the scientific view, the theory of karma may be a metaphysical assumption -- but it is no more so than the assumption that all of life is material and originated out of pure chance
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If a play does anything either tragically or comically satirically or farcically - to explain to me why I am alive, it is a good play. If it seems unaware that such questions exist, I tend to suspect that it's a bad one.
