Orlando Bloom Quotes
I came out of drama school thinking I'd do some theatre, maybe some television, and maybe, someday, a film.
Quotes to Explore
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I am enjoying my face changing, as well as realizing that at the same time, as you get older, the machine isn't as well-oiled as it was.
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America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
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In the daytime, I was studying at school and in the evenings, I was a stage kid. I was trained in theatre and public speaking. I was a really active kid.
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Michael Jordan changed so much in basketball, he took his power to make a difference. It's so much going on in music right now and somebody has to make a difference.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
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I found that the corridors of power in Delhi were littered with lobbies of various kinds.
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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The eye of God ends up inside, so that, in the end, you take care of judgment and punishment yourself.
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Anyone can make an article longer; the skill is keeping it tight and lean.
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Detroit's industrial ruins are picturesque, like crumbling Rome in an 18th-century etching.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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Death will never be pretty - its sights and smells too close and crude. And it will never come under our control: it gallops where we tiptoe, rips up our routines, burns our very breath with its heat and sting.
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I want to be in the small percentage of women who don't settle for conventional roles.
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One of my side strange abilities is to hear a good song, no matter how it's being performed. Even if you get a bad performance, I can still hear that there's a good song.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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With a film, you just don't have time to build sympathy for the character. But I think we're moving away from that in TV. With TV, you have a little more leeway to allow them to rise and fall and rise again and be much more complicated beings.
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My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.
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No one as yet has approached the management of New York in a proper spirit; that is to say, regarding it as the shiftless outcome of squalid barbarism and reckless extravagance. No one is likely to do so, because reflections on the long narrow pig-trough are construed as malevolent attacks against the spirit and majesty of the American people, and lead to angry comparisons.
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It was the desire to see black girls and our experiences in the books that I was given to read at school that forced me to speak my truth. I launched #1000BlackGirlBooks, a book drive to collect the stories of women of color.
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I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
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I could finally quit my job as a bartender and stop dreaming that I might be Superman and know that I was. Then I started thinking about how cool it was.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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I came out of drama school thinking I'd do some theatre, maybe some television, and maybe, someday, a film.
