Orlando Bloom Quotes
Quotes to Explore
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Livelihoods and whole communities throughout the Murray-Darling Basin have been imperilled by the workings of drought, fire, flood, acid mud and human action over many decades. In the rescues and the cleanups and the long hauls, I see the same attitude over and again. People just rally and get on with it.
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I don't find much influence in opera. It was such a different part of me.
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Winning the peace is harder than winning the war.
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I don't live by all these rigid, weird rules that make me feel all fenced in. I just like the way that I feel like, and that makes me feel very free.
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Ten people who speak make more noise than ten thousand who are silent.
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I'll keep doing my training and I'm sure the goals will come.
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I thought I had the rights to The Lord of the Rings. I don't know how Jackson ended up with the rights.
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It was really a very small company when I started and it changed very rapidly during those first periods.
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My first big influences were more hip-hop based - people like DJ Shadow and Four Tet.
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Deep breaths are very helpful at shallow parties.
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The real political life in Russia unfortunately is not in the parliament but on the streets and in the media.
Garry Kasparov -
Writing is a solitary profession; you are really alone when you write. Then the emotions become well shaped and distinct. But their transition into words must be done deliberately and with rigid artistry.
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It's an unfortunate reality of life that toxins are constantly building up in our bodies.
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I give two hoots about being typecast. It's not in my hands.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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If the U.N. didn't exist, we'd be inventing it right now.
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I love being in a courtroom.
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I think being busy is a healthy thing.
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It feels amazing to inspire little kids to want to do gymnastics and have fun with it.
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I think a lot of young girls see actresses, and they think of red carpets, and they think of 'Us Weekly,' and they don't really think about the breaking down of a script and what that requires and what you would need to pull it off.
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I'm inspired when I find out about something that I didn't know was a remake. An example is, of course, stuff like 'The Fly,' or 'The Thing,' or even 'The Blob.' For our generation, all those things, whether it was 'The Blob' or 'The Fly' or something else, we had no idea they were remakes.
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What is any respectable girl brought up to do but to catch some rich man's fancy and get the benefit of his money by marrying him?--as if a marriage ceremony could make any difference in the right or wrong of the thing!
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I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek; a lot of short story writers, for one thing.
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I love traditions. I mean, cultural ones.
