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I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.
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I was actually qualified to be an art teacher, but I didn't want to teach.
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I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
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The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
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I haven't lost my blues roots.
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I bought a house in England in 1990, shortly after my father died, hoping to come home to England and spend time with my family.
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'Mirage' was an attempt to get back into the flow that 'Rumours' had. But we missed a vital ingredient. That was the passion.
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When you're in the same band as somebody, you're seeing them almost more than 24 hours a day. You start to see an awful lot of the bad side 'cause touring is no easy thing.
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I suffered from some delusion that I wanted to be an English country girl, a Sloane Ranger donning the old Hunter boots and Barbour jacket to slosh around in mud with the Range Rover.
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Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.
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Schlepping around from city to city is nothing I want to do.
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There's a whole bunch of unfinished stuff. Then I've got books of lyrics. I find it frustrating to finish a song and not be able to record it... so I don't write a million songs.
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I felt very at home in California, but the place is prone to earthquakes, and the one in 1994 scared the life out of me. For months afterwards, I felt that every time I sat down, I should have put on a seatbelt.
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I was in Tower Records in San Francisco a few weeks ago, buying some cassettes, and a couple of people recognized me and ran up with albums, and I just wanted to cover my face and have a seizure or something. I want people to just go away.
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I don't sing about politics or anything like that. I sing about love. That's what I know about.
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My writing ability all stems from the blues.
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I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.
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We've always connected musically in Fleetwood Mac because we're the only people who play more than one note. I'm not the best pianist, but I know how to interlace around what Lindsey's playing.
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I want to go out and do things... not just stick around having room service for two days.
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I tend to go for these half-little-boy characters.
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I was by no means a nun.
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With Fleetwood Mac, it's an amazing chemistry that we have on stage.
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You can only mend the vase so many times before you have to chuck it away.
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To some extent, I've always felt that the music should be the thing that creates the emotion in you, rather than a video.