Christine McVie Quotes
Quotes to Explore
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President Obama's over in Indonesia when guys like me were at a paper route. President Obama, I don't know what experience he had at that same age when he was in Indonesia. So I think it's hard for him to grasp that America entrepreneurial spirit.
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I would describe my sound as classic Motown.
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The world is always terrible.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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Continuous persecution of widows and orphans is a crime. Even the Bible says there is a specific place in hell for those who oppress widows.
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My first Broadway show wasn't until I was a freshman in high school. It was my first trip to New York. I came with a group of theatre kids, and we saw four shows. The very first one was 'Contact.'
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I have no pretension that I belong in D.C. I mean, I have to be cautious on how we do our restaurant.
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I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.
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To me, it's just like, if you have talent, and you're lucky enough to find where you fit, and you work with the right people, it's not exalted at all.
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It's not my job to get really personal in how I express myself. I've met fans, and they've been lovely. But letting my personal life out there, I don't think is a good idea for me. I think the more you do that, the more you can be accused of encouraging that kind of attention.
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I think every business, really, has a unique reason for being, unique assets, unique attributes, a unique history. And that can be turned into a very attractive design story, essentially, that consumers can relate to.
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Nothing ever turns out the way people expect it to.
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I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
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It's an art to live with pain... mix the light into gray.
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Word of mouth is the most valuable form of marketing, but you can't buy it. You can only deliver it. And you have to really deliver.
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It gives a different kind of high when, as an actor, I get to submit myself to the character I play.
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In 1920, the West ruled huge amounts of the world.
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An interesting thing about the beginning of our friendship and professional collaboration [with Tina Fey] was that the improve scenes we would do together were basically dramatic and not funny at all.
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I made the record that my life had me make. Each one is like a diary.
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Distribution has really changed. You can make a record with a laptop in the morning and have it up on YouTube in the afternoon and be a star overnight. The talent on YouTube is incredible, and it can spread like wildfire. The downside is that it's very hard to convince the younger generation that they should pay for music.
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It's just music. It's trying to play clean and looking for the pretty notes. The beat in a bop band is with the music, against it, behind it. It pushes it. It helps it. Help is the big thing. It has no continuity of beat, no steady chug-chug. Jazz has, and that's why bop is more flexible.
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I think that when two people are able to weave that kind of invisible thread of understanding and sympathy between each other, that delicate web, they should not risk tearing it. It is too rare, and it lasts too short a time at best.
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I haven't lost my blues roots.
