Christine Quinn Quotes
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
Quotes to Explore
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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I'm not going to roll back anything. Nothing is going to change with respect to reproductive rights.
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The loss of life will be irreplaceable.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.
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I spent half my life being hurt. The leftovers of hurt are an automatic gesture, like a dog that salivates.
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I am more afraid of those who are terrified of the devil than I am of the devil himself.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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People deal with models like they are children. They think they can pull one over on you. It's actually funny. I'm always like, I'm about to pull something on you, and you're so focused on thinking I'm dumb, you're not even going to know.
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I never want to be anywhere else than in the rehearsal room. I mean, it's so lame to say, but it makes me supremely happy to work with people and to talk and invent and laugh.
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Stories are like that. Like cities, they are built on the stones and bones of the past.
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San Francisco businesses face many challenges, including high rents, regulatory burdens, and the rising cost of workers compensation insurance and employee health plans.
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I should confess that I'm woefully under-read in South African fiction.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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For some reason, I spent my early thirties reading as much postwar Hungarian fiction as I could get my hands on.
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I don't think it's possible to separate out the strands of a writer's history, circumstances, life events, and that writer's themes.
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I could probably name thousands of albums that I want.
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In order to properly understand the big picture, everyone should fear becoming mentally clouded and obsessed with one small section of truth.
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You have to make bold choices to be noticed.
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It's fun being able to suit up and go and kick butt and not have to worry about memorizing dialogue. It's a whole different way of acting because you're not depending on the words at all, you're really depending on everything else that you have.
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The three-pound organ in your skull - with its pink consistency of Jell-o - is an alien kind of computational material. It is composed of miniaturized, self-configuring parts, and it vastly outstrips anything we've dreamt of building.
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Acting is my first love. There are still so many characters inside of me that are waiting to come out.
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I didn't have a fraternity-like experience. I mean, I grew up with an older brother and a lot of male cousins and we were very physical with each other. We were very rambunctious when we were kids. But I never thought much - nor did I have reason to think much - about institutionalized hazing. But I think there's a reason young men are drawn to it.
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I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
