Fatima Sana Shaikh Quotes
I auditioned 5-6 times for 'Dangal.' I was just waiting for the final call, as there were about 15-16 girls who auditioned for the role.
Quotes to Explore
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I don't like the word 'experiment' in the context of art in general. It implies something immature, unfinished, something entertaining for a moment before it becomes irrelevant.
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My first car was an '84 Ford Taurus. It caught on fire from me trying to change the fuel pump, so that wasn't good at all. Dried leaves on the ground while I was trying to change the fuel pump. Don't do that. Do it on concrete.
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My desire to experiment comes from my attention-deficit approach to cosmetics. I just get really bored, really easily.
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I hope that one of my legacies, and I worked to pass it on, is moderation in politics.
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What a cool job to be part of - whether it's doing lighting or acting or serving food on set. You're part of telling a story that hopefully has an essential component, and that's super exciting to me.
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I am going to put money into education at the expense of other programs.
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What I think I learned from working on 'Moonlight' is you see what happens when you persecute people. They fold into themselves.
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The idea of collaborating with anyone else was quite daunting. If Battles had any trepidation in asking me, I can assure you I had more after agreeing to do it.
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We don't hate the media, it's just that when there's too much of it we get bored, but it happens to every human being. I don't think we even hated the media by the time that movie was made. We were just tired.
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If I am elected president, keep an eye on the tarmac, because I'll be back, because Iowa in 2017 will not be fly-over country. It will be fly-to country.
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I wanted to reveal how genetic code is translated into protein. I knew a great application could be for antibiotics, since half of the useful ones target the ribosomes, but I didn't believe I could contribute to it. It was like the next Mount Everest to conquer. It was my dream to contribute something to humanity.
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I disliked singing in English and neither liked the story nor the character of Cressida.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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To be a superstar is incredible pressure. And also in our country, I'm going to speak about this, America. We have a way of kind of making it hard on our superstars. I don't sense it when I go to Europe or I go to Japan.
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Because I'm shy and a bit quiet, I think people assume I'm an elegant person.
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I've always wanted to be a singer and an actor. I will continue to concentrate on both because I love both.
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Sometimes when I'm on set, I keep eating, and people are like, 'You really eat that?' I'm like, 'Yes, I do.'
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The real hero is always a hero by mistake; he dreams of being an honest coward like everybody else.
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And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.
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I have no idea whether I'm any good or not. Still waiting, like most actors, for somebody to find out one day that I can't do it.
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I could throw pretty hard. I might strike out 16 guys, but I might walk 10. I mean, I was wild.
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I just loved being in the theatre with all those crazy, creative people.
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I auditioned 5-6 times for 'Dangal.' I was just waiting for the final call, as there were about 15-16 girls who auditioned for the role.
